In 2005, Rupert Holmes published his second novel, a murder mystery called Swing. Being, well, Rupert Holmes, he also wrote and recorded an accompanying seven-track CD of swing-inflected music; both are well worth finding. The combination, meanwhile, led him to quip, “I’ve been singing songs from my new book.” In the past month, I received … Continue reading Crafting the “Soundtrack” to my Interrogating Memory book
In two previous posts (I, II), I described how my wife Nell, our two daughters and I were coping with social distancing and the closure of the public schools in Brookline, Massachusetts until at least April 3, 2020. Other than staying inside as much as possible, we converted our dining room into a functioning classroom … Continue reading Dispatches from Brookline: Home Schooling and Social Distancing III
Back in, I think, 8th grade English class, we read Charles Dickens’ novel Great Expectations. A friend of mine (whose mother would later introduce me at his wedding as “her third son”—a high compliment) was so taken with the intricate web of connections between the book’s many characters that he pulled out a piece of … Continue reading The Noir of Who: Backstory and Part 1
The streak ended at five. For a number of reasons (including having already seen 20 of the 24 films to be screened), I did not attend the NOIR CITY film festival in San Francisco this year. I had attended—and enjoyed immensely—each of the previous five years after attending the 2014 festival (NOIR CITY 12) on … Continue reading NOIR CITY 17: New heights of noir!
This site benefits/suffers/both from consisting of posts about a wide range of topics, all linked under the amorphous heading "data-driven storytelling." In an attempt to impose some coherent structure, I am organizing related posts both chronologically and thematically. My love of film noir has roots in my childhood (detective fiction, Charlie Chan films) and college … Continue reading Organizing by themes II: Film Noir
I have previously described how I manipulate mix tape/CD/iTunes playlist data to generate lists of favorite tracks (a term I prefer to “songs”), albums and artists, organized by year, musical “genre,” etc. Being a meticulous (obsessive, even) organizer of data, no sooner had I started using my current version of iTunes in January 2013 (when … Continue reading The Smithereens: Film Noir where you least expect it
In this follow-up to the chronicling of my recent trip to NOIR CITY 16 in San Francisco, I take considerable artistic license with photographs of San Francisco. To read the entire series, please start here (or with this related, more analytic post). It is an open question whether I would have grown so inordinately fond of … Continue reading NOIR CITY 16: A photographic epilogue
This is the ninth—and last—in a series of posts chronicling my recent trip to NOIR CITY 16 in San Francisco. I base these posts on 102 pages of notes in my little black Moleskine notebook, 254 photographs and my memory (supplemented as necessary). In this post, the festival ends in a Super way, and I … Continue reading NOIR CITY 16: An unexpectedly Super ending!
This is the eighth in a series of posts chronicling my recent trip to NOIR CITY 16 in San Francisco. I base these posts on 102 pages of notes in my little black Moleskine notebook, 254 photographs and my memory (supplemented as necessary). In this post, I listen. A lot. You may read the first … Continue reading NOIR CITY 16: Listen…to…the…sounds…
This is the seventh in a series of posts chronicling my recent trip to NOIR CITY 16 in San Francisco. I base these posts on 102 pages of notes in my little black Moleskine notebook, 254 photographs and my memory (supplemented as necessary). In this post, I visit the Golden Gate Bridge, do laundry and … Continue reading NOIR CITY 16: Glamour shots