Dispatches from Brookline: Home Schooling and Social Distancing XIII

I have described elsewhere how my wife Nell, our two daughters—one in 4th grade and one in 6th grade—and I were already coping with social distancing and the closure of the public schools in Brookline, Massachusetts until at least May 4, 2020. Besides staying inside as much as possible, we converted our dining room into a functioning classroom complete with workbooks, flip charts and a very popular white board.

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I was wrong.

The ants came back.

They came back with a vengeance, in fact, after a few days of deceptive absence. I opened a kitchen cabinet to get a glass—and three or four of them scurried out of sight. Windex is their bête noire, at I grabbed the bottle from the window ledge behind the kitchen sink and sprayed it liberally in the cabinet, making a mental note to wipe down the glasses later.

Nell bought a set of ant traps, which she strategically placed in the kitchen; they have yet to venture much beyond there. [Eds. note: as of Tuesday, the traps appear to be working]

Saturday, April 18, 2020 was otherwise a quiet and mundane day in our sheltering-in-place haven. When I first checked my iPhone upon awaking, an e-mail from my sister Mindy’s long-term residential facility informed me she had recovered from COVID-19and returned to her regular building; given her age and chronic health conditions, this is remarkable.

For dinner, Nell made pizza from scratch for the third time—achieving the thin crispy whole-wheat crust I had loved the first time she attempted it. Even better: she had restocked our supply of cut pineapple, which I added to pepperoni for my personal pie.

While eating their own pies—our younger daughter’s still without tomato sauce—Nell and the girls watched the third Hunger Games film on our big screen HD television. Following that, Nell and I watched episodes five and six of season three of Broadchurch. And once everyone had gone to bed, I took an earlier bath than usual—I needed a night free from writing and class preparation—then settled on the white sofa to watch Two-O’Clock Courage on TCM OnDemand.

Despite being directed by Anthony Mann, renowned for both classic film noir and noir-tinged westerns, and listed as “film noir” by 12 different experts, I would not classify it as such. Yes, its beautifully-chiaroscuro opening sequence is broadly reminiscent of such iconic films noir as Detour and Scarlet Street, also released in 1945, and it follows the classic noir trope of the amnesiac investigating her/his own possible criminality—mirroring the excellent Street of Chance from a few years earlier. However, it quickly morphs into a standard, albeit mostly entertaining, murder mystery yarn, complete with bumbling police detective, wise-cracking crime reporter, besieged city editor and meet-cute romance.

For all that, I sat up with an animalistic cry of delight during the opening credits, when the name “Bettejane Greer” appeared on the screen. The then-20-year-old actress—with whom I admit to being rather smitten—would soon drop “Bette” from her first name. It was as “Jane Greer” she dominates the absolutely brilliant Out of the Pastone of my three or four favorite movies, full stop. And she steals every scene in which she appears in Two O’Clock Courage, as well.

IMG_3124

Sunday, April 19 was equally banal—in a good way. The night before, I had pulled out my vinyl copies of The Byrds Greatest Hits and a Buffalo Springfield two-disc “best of.” While eating my afternoon “breakfast” then folding laundry, I started to play Side 2 of the latter album—I particularly wanted to hear the propulsive “Mr. Soul”—only to be put off by the poor condition of the vinyl. The Byrds record, however, still sounded terrific, so I rocked out to both sides—especially Side 2, which I practically wore out in high school; at one point, Nell asked me to turn down the volume out of respect for our downstairs neighbors.

For dinner, Nell made a scrumptious all-vegetable whole-wheat lasagna, with a cheese-only version for our younger daughter. The former also stretched her baking chops by making whoopie pies for the first time, using a cookbook I had bought for her the previous summer. I can take them or leave them, to be honest, but these were wicked good. Mirroring the preceding evening, Nell and our daughters watched the fourth and final Hunger Games film, while I worked on my psychedelic rock slides for an upcoming “History of Rock and Roll” class. And then my wife and I wrapped up Broadchurch; I was frankly disappointed with the ending—but I leave it that to avoid spoilers.

Once Nell was in bed, I returned to my slides, easily the single best part of this enforced home schooling. I also confirmed that—despite the blue recycling bins and black trash bins sitting in front of a number of houses on our street—there would be no trash collection on Monday, April 20, a state holiday.

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I had a hard time falling asleep, then had a bizarre series of anxiety-driven dreams in the morning. Actually, I had dreamt the night before I was giving a PowerPoint presentation to a large group of people, but the slides showing on the screen were wrong, and I could not find the correct ones anywhere on my thumb drive.

As for Monday morning, meanwhile: while I never have recurring dreams, per se, I have dreamt on multiple occasions I am back in the Philadelphia area, and at one point I make my way to a 24-hour diner (which never looks quite the same) I know to be in a section of the western suburbs where a main road divides into two roads. No such roads or diner exist, and I can only vaguely describe where these roads would be—Conshohocken, maybe, or Norristown—but it is a joyous thing to go this diner. This is not surprising, given my life-long affinity for such places. In this instance, traveling to this diner—and having a strawberry milkshake?—was the culmination of a series of unpleasant events relating to breaking something behind glass in a hotel, and needing to escape, and being very unhappy in a hotel room at night until it occurs to me I can leave and go to this diner…

Oh…right.

About an hour after Nell brought me my first mug of coffee, I finally roused myself. And I had to decide what—if anything—to teach that afternoon, given that it was a state holiday. Nell told me the girls would be perfectly happy if I did not teach at all, given how well they were playing together at the moment. For her part, Nell had simply written out our older daughter’s schoolwork schedule.

April 20

I deliberated briefly, considering three possibilities:

  1. Watch episode five of Jazz: A Film by Ken Burns, as I had planned
  2. Skip class entirely
  3. Switch days: read for less than an hour from Chapter 1 of the book I am writing on Monday and watch Jazz on Tuesday

I ultimately settled upon choice #3. After spending 45 minutes having my quiet time with Nell, I finally got out of bed…and saw dried blood on the bottom sheet where my feet had just been. Examining my feet, I discovered that I had bled from the back of my right ankle during the night. Moreover, when I finally went downstairs around 3:15 pm, I saw a spot of dried blood on the white sofa where my feet would have been as I stretched out on it.

Here is what I think happened.

A combination of dry skin and chafing from wearing topsiders without socks—my right foot takes the brunt of my daily cavorting in the backyard with our golden retriever Ruby—had left the back of my right ankle raw. While I was on the sofa, something landed on my ankle, and I shook my leg to flick it off. I do not think I was bitten—there is no swelling or itching. Rather, I think I scraped the raw spot over a rough spot on the sofa, making it bleed.

Meanwhile, when I wandered into the classroom, I saw that our younger had been conducting her own classes:

No holiday on the white board

At 3:35 pm, the girls and I settled into our places in the classroom. After briefly reviewing the adventures of my paternal grandfather Morris Berger, our older daughter began to read about my paternal grandmother’s family—the Ceasars, captured beautifully in this photograph, perhaps taken on my grandmother Rae’s 1st birthday:

Ceasar family c 1903

About six pages in, our older daughter came to this passage.

It is Jewish custom to name a new child after someone recently deceased, such as a grandparent or great-grandparent, and it is Ashkenazic Jewish tradition not to name a new child after someone still living. The best explanation of this tradition is that “…it is a merit for a deceased person to have a descendant (or other relative) named after him or her. If the name is given while its bearer is still alive, this will no longer be possible (in the same family) after that person’s passing.[i]

Furthermore,

…it is believed that the soul of the loved one lives on in the child who now bears his or her name. Indeed, learning about the persons for whom they are named is an excellent way for children to identify with the history of their own Jewish families and, by extension, with the history of the whole Jewish people. Some parents even add these personal explanations to the birth ceremonies for their children.[ii]

While I have never questioned using these draft chapters as way to teach history, Judaism and the nature of justice, inter alia, this external validation was still rewarding.

But our younger daughter had her own thoughts, which she politely raised her hand to share:

  • “Spirits cannot enter a different body once they are, you know, dead.”
  • “Perhaps this is why some people claim to have experienced past lives.”

Rather than point out these are contradictory ideas—unless I misinterpreted what she said—I chose not to go down the metaphor-vs-literal rabbit hole, Instead, I reminded all of us for whom each of us was named, spending a few moments with my regret that I will never meet the man for whom I am named—my paternal grandfather Moshe ben David Laib, later Morris Berger.

At this point, we were only a few pages away from the end of the chapter, so I simply read them aloud myself. As much as our older daughter loves to read, neither daughter objected. Within a few paragraphs, we reached a brief discussion of b’rit milah, the Jewish ritual of circumcising the male penis at eight days of age.

There were grimaces and grunts of disgust as I explained what this entailed. Reading a few more sentences, meanwhile, led our older daughter to exclaim, “You tell them what day your circumcision was?!?”

Well, I replied, they could easily figure it out for themselves—which is not technically true, since I was circumcised at 10 days of age, most likely because October 8, 1966 was a Saturday—the Jewish day of rest. And then it was Sunday…so why not do it on Monday.

I, for one, would not have raised any objections.

Two pages later, we finished the chapter. It was 4:06 pm, and I dismissed class for the day (“Wait, that’s it?”). After washing the dishes and wiping down the kitchen counters, I took Ruby into the backyard for our exercise ritual. To do so, I had to remove some large packages out of the way. One of them turned out to be more SodaStream canisters.

The other had “SNACKS” written on it in bold letters, along with multiple stamps of “Frito-Lay.” When Nell saw it a short time later, she said with some chagrin: “This is what happens when you buy food [online] when there are no salty crunchy snacks in the house.” Indeed, the box was filled with small bags of four varieties of Lays potato chips.

By 9 pm, I had already eaten two of them, with plans to eat more.

Dinner, meanwhile, was leftovers of pizza and lasagna. As Nell was pulling this together, we were talking in the kitchen, and somehow “Be My Baby” by The Ronettes came up. I may have been singing the tune, having bought it on iTunes the night before. In the few weeks I have been teaching the history of rock and roll, I have dropped something like 80 bucks on 56 new songs.

Nell told me how she will always remember the song: as the soundtrack to the moment fans of Moonlighting fans like us had been anticipating for two years. When I mentioned I planned to put the song on the annual birthday mix I was preparing for our oldest daughter, she said, “Well, maybe don’t tell her that part.”

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After falling asleep on the white sofa sometime after 5:30 am on Tuesday, April 21, 2020, I awoke to Ruby crying in her crate. As with her dinner, she thinks she only gets her breakfast if she begs for it. A few minutes later, Nell walked downstairs; to my groggy query, she told me it was 7:45 am. I got off the sofa, stretched for 20 seconds, rinsed out and put my empty kefir glass in the dishwasher, kissed my wife, then went back upstairs—where I promptly fell back asleep.

At 1 pm, I awoke to my iPhone alarm; I then turned it off, resetting it to 1 pm again. Maybe 15 minutes later, Nell came in with my first mug of coffee. As she pulled up the black shades, I saw it was a gray and rainy morning; in fact, I had to rescue one of our now-empty blue recycling bins from the street. Once Nell was settled in bed next to me, and I had sufficiently awakened, she told me Massachusetts Governor Charlie Baker had ordered all schools in the Commonwealth closed through the end of the 2019-20 school year. We were expecting this announcement—in fact, we were surprised it had not come sooner.

The question Nell and I face now is when—or if—she and our daughters, including the four-legged one, make their way to Martha’s Vineyard, where they would stay through the end of the summer. When Brookline schools first closed, our initial plan was to home school for two weeks, after which Nell and the girls would go to the Vineyard to ride out the COVID-19 pandemic. However, it has so reduced travel to the islands, the Steamship Authority expects to run out of money by May 31 without assistance from the Baker Administration.

The fear, then, is they would be trapped on the island for months, which nobody wants. For my part, while I would certainly miss my family, I would also welcome that block of weeks—even months—in which to complete a final draft of my book.

As Rachel Maddow would say, watch this space.

Meanwhile, this sequence of three headlines–the first I saw–on Taegan Goddard’s Political Wire elicited an “Oh, for f*ck’s sake” from me:

  • Barr Will Consider Legal Action Against Governors
  • Study Finds More Deaths from Drug Trump Touted
  • Kentucky Lawmaker Charged With Strangulation

When I went downstairs around 2:45 pm, I saw Nell had drawn up our younger daughter’s school schedule for the week:

April 21

Less than 15 minutes later, the girls and I settled into the living room to watch Episode 5 of Jazz: A Film by Ken Burns; it was only 87 minutes long, so class was dismissed at 4:42 pm. At one point, when the various commentators were discussing Glenn Miller, I paused to explain “damning with faint praise.”

Our younger daughter did have one of her should-be-patented “Ohhhh!” moments. In the segment “On the Road,” we learn how one swing band would cram 10 into a touring car, their instruments in an attached trailer. Confused, said daughter asked, “Why couldn’t they simply take turns driving the car while everyone else rode in the carriage? They could then put their instruments in the car.” Her sister and I started to explain there were no windows in the trailer—until we realized she was picturing a modern-day camper. Once we explained the difference, the light went on—and out came the “Ohhhhh!”

Hey, she was clearing paying attention, and that is all I can ask.

Until next time…please stay safe and healthy…

[i] http://www.chabad.org/library/article_cdo/aid/1158837/jewish/The-Laws-of-Jewish-Names.htm. Accessed September 16, 2017.

[ii] http://www.myjewishlearning.com/article/naming-children/ Accessed September 16, 2017.

Dispatches from Brookline: Home Schooling and Social Distancing XII

I have described elsewhere how my wife Nell, our two daughters—one in 4th grade and one in 6th grade—and I were already coping with social distancing and the closure of the public schools in Brookline, Massachusetts until at least May 4, 2020. Besides staying inside as much as possible, we converted our dining room into a functioning classroom complete with workbooks, flip charts and a very popular white board.

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Five weeks into our mandated isolation, we have settled into a helpful weekday routine. Nell is awake by 8 am or so to let our nearly-six-year-old golden retriever Ruby out of her crate—where she prefers to sleep—so she can frantically inhale breakfast out of her green ceramic bowl. Nell then takes Ruby out for the first time then gets our daughters out of bed and pointed in the direction of breakfast. Morning class starts at 9 am and runs until noon or so.

Once they have eaten lunch, our daughters are free until sometime after 2:30 pm—meaning they retreat to their respective bedrooms either to catch up with friends electronically or to spend time on various electronic devices. If the weather is nice enough, Nell sends them outside; our older daughter is perfectly happy to go for multi-mile runs, while her younger sister will reluctantly spend time on one of our three porches.

Around 1 pm—just as the alarm on my iPhone goes off for the first time—Nell flicks the switch on my coffee maker, which I set up the night before to make exactly eight cups of a half-caffeinated blend; for her own initial caffeine fix, my wife chooses between her Keurig machine, blue and white ceramic tea pot, and espresso pot. Once my coffee maker beeps its completion, she pours some into my navy-blue Yale mug and the rest into my daily-washed L.L. Bean thermos. She brings the mug of coffee upstairs and places it atop the light brown three-drawer Ikea chest I use as a bedside table.

I thank her, groggily. On rare afternoons I rouse myself immediately, but most mornings I doze off for a short time. By 1:30, though, I have generally completed my ablutions and gotten back in bed to check my iPhone. This also the hour each day Nell and I have to ourselves to converse as adults. After flicking through—and mostly deleting—my e-mail, I turn to Taegan Goddard’s Political Wire to read about the latest mischegoss, political and otherwise. I generally read the stories aloud; it is one of our inside—jokes is not quite the right word—that for members-only stories (I happily pay the nominal subscription fee), I lean over to tap her on the shoulder, saying in my best stage whisper, “This piece is only available to Political Wire members.” To which she responds, “Oh, thank God.”

While I intend to start my class at 2:30 pm, by the time I finish Political Wire, check the home page of FiveThirtyEight.com, the latest polls, my website and Twitter (“OK, who is yelling at me now?”), it is usually at least 2:15 pm. I shower and put on a pair of light tan or brown khakis and a button-down shirt, also from L.L. Bean, or a polo shirt if it is warmer; I need to exude some modicum of authority while teaching our hormonal pre-teen daughters.

Downstairs, I tidy the kitchen and living room a bit before having my, umm, breakfast—some form of whole grain cereal with a glass of orange juice and any leftover fruit smoothie Nell may have made. “A bit” means I gather every dirty mug, glass, dish and eating utensil—as well as the pot(s) and/or ceramic spoon rest on which used teabags get placed—and put them in the sink to wash later. I usually wipe down the kitchen counters as well.

Pouring a second cup of coffee from the thermos, I start to gather our daughters into either the living room or the “classroom.” Meanwhile, Nell retreats to our bedroom for some peace and quiet. When she is not napping, she watches videos on her iPhone. One such video teaches how to cut male heads of hair; indeed, she has been eyeing the ever-shaggier mass of curls above my neck the way a butcher eyes a large rack of ribs.

Around 4 pm, Ruby—who has been chilling with Nell—comes padding downstairs to begin to alert us to her impending 5 pm supper. If she is genuinely frantic, though, I call a short break to take her into the backyard. “Daddy” class is generally over between 4:30 and 5:30, after which I feed Ruby if necessary, then take her—and me—for a proper play in the backyard.

This has become my daily “exercise” routine. To make the repeated throwing of a small stick interesting to me, I try to throw it underhand so that it loops over a branch some 15 feet above the ground extending some ten feet over the yard, maybe 20 feet from where I stand. Complicating these throws are smaller branches growing around this thicker branch. Ruby finds this game absolutely delightful, as she gets to scamper up and down the steep, dark-soiled incline that runs from the edge of our yard five or ten feet up to the shared driveway. I try to keep the stick out of this driveway, despite how infrequently cars drive over it, but my aim is not always true.

I make this “shot” maybe 30-40% of the time. When I do not, I poetically berate myself out loud—trying to exercise the brain as well as the body. For example, after missing one recent shot I let out with, “Denied! Dejected. Depressed. Defeated. Determined!” Generally, though, I simply ring a series of changes on “Utterly awful. Tragically sad.”

As I wait for Ruby to return, affectionately emitting variants of the word “dingus” when she momentarily loses track of her stick—though she always gets a hearty “that’s a good girl” when she finally does what she went out there to do, I try to keep from standing still. I jog in place or do jumping jacks or simply jump and down. At times I do a kind of St. Vitus dance of waggling limbs and bobbing head, getting the blood flowing and my heart rate elevated.

After 10 or 15 minutes of this spectacle, Ruby has slowed down enough to head inside, albeit still with some moderate cajoling—and perhaps a toweling of the paws at the bottom of the stairs. This is also accompanied by a kind of reductionist Beat poetry: repetitive reformulations of words like repugnant, repulsive, repellant, reprehensible and reprobate.

Heading into the kitchen to wash my blackened right hand, I begin to tackle the dishes in anticipation of Nell making dinner. Every other day of late, this means loading and starting the dishwasher—always all-but-empty when I finally go to bed, even if that means I wash the dinner dishes by hand. So be it.

By 6:00 pm—6:30 at the latest— I am settled in my office to work for a few hours, while Nell and the girls eat dinner in the living room and watch either Disney Channel or Nickelodeon on our big screen HD television. However, more often lately they eat quickly and disappear back into their respective girl-caves, freeing Nell to watch diy Network.

The understanding is that Nell and I will reconvene in the living room just before 8 pm to watch MSNBC for a few hours (well, not most Fridays), interspersed with the 9 pm bedtime of our younger daughter. “If you are getting up,” Nell will say to me, “will you tell younger-daughter to brush her teeth. Pleasethankyou.” We often use the maximum live program pause of 25 minutes allowed by our television, albeit with the fringe benefit of allowing us to fast forward through commercials.

Between 9:30 and 10:30, Nell takes herself upstairs to bed; I follow shortly after with Ruby to spend some quiet time with her. Once Nell has turned off her bedside lamp, Ruby and I wander back downstairs; she either goes into our older daughter’s bedroom or outside one last time. At which point I get to work completely cleaning the kitchen, including readying my coffee maker for the following afternoon. They say Duke Ellington played orchestras like an instrument: that is how I wield the kitchen sink faucet and its two-setting detachable nozzle. I conduct a symphony in multiple water temperatures, vigorously scrubbing to my own internal beat with sponges and my bare hands, with the dish towels a second movement. Lately, I know not why, I have been using my left hand—which until recently was a kind of decorative appendage—for most of the counter-top scrubbing; maybe I want to rewire my heavily-left-dominant brain. Or maybe I just want to keep things interesting.

Along those lines, my sense of smell has vastly improved of late. Minimal exposure to outdoor allergens is likely the cause; I particularly noticed the opposite effect when I ventured out into the world on Thursday, as you will read below.

With the kitchen now ready for the morning, I check in our older daughter, old enough now to brush her teeth and put herself to bed on her own—and then I grab a jar of Skippy Natural peanut butter, a spoon and a fresh SodaStream in my commandeered green bottle (perhaps adding a squeeze of lemon and/or lime) and settle into my office. There I work until the wee hours of the morning. A long hot soak in a bath or a short hot shower later, I settle onto the white sofa to wind down with informative-yet-entertaining YouTube videos on our television. Drifting off to sleep for a brief time, I rise with the dawn—who knew sunrises are as lovely as sunsets—to drag myself upstairs to bed properly.

Rinse. Repeat.

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When I awoke on Tuesday, April 14, 2020, I learned a new four-letter word: ants. As has happened in previous springs, we have an infestation. However, as of Friday, they had mostly disappeared. As bad as they are, however—and as itchy as I have been via power of suggestion—this was nothing compared to the revolting infestation of pantry moths I tackled alone one summer nine or ten years ago; they had planted eggs in a basement-stored bin of dog food we still had from our former golden retriever. I still shudder with disgust thinking about it.

Perhaps to escape the ants, our older daughter had gone for a 2+ mile run in the neighborhood that morning. This remembrance of the outside world may have triggered her suppressed cabin fever. Otherwise, I cannot explain the madness about to befall us.

Tuesday is “family history” day, so we read aloud from completed chapters of the book I am writing. On this particular day, I began by tracing the history of the idea of the book, establishing inexorable chains of historic events running in both directions as one uncovers more—and more accurate–information.

Film noir personal journey

At some point, I noted my father’s time as a member of Philadelphia’s La Fayette Lodge No. 73, Free and Accepted Masons. This triggered something in our older daughter, as she yelled something about the Illuminati then drew this:

Illuminati

Once I dealt with this marginally-relevant interjection, our younger daughter read aloud the first page-plus of Chapter 1. Clearly, she and her older sister—who LOVES to read—have been immersed in The Hunger Games franchise lately, because the latter kept saying, “I volunteer as tribute” to read.

Meanwhile, I do not remember what set that same daughter on this path, but the next thing we knew she was telling her younger sister, in a grating cartoonish voice, “I baked you a pie!”

I baked u a pie

This was only the beginning, though.

When it was our older daughter’s turn to read, she calmed down and read. At one point, however, she misread the first name of my paternal grandfather Morris as “murple,” and it was as though someone had flicked the crazy switch.

It is possible she got this nonsense word from an episode of her beloved The Amazing World of Gumball. Whatever its source, for the next few days, she could not stop herself from loudly proclaiming the following ditty in the same cartoonish voice,

I baked you a pie!

My my my!

You did?!? What flavor is it?

Murpleberry!

Are there any other ingredients?

Yes, the sweet dreams of the children of Santa Claus!

I honestly thought it was going to be the “children of Saturn” the first time she regaled us. According to Nell, she has since used the variant “sweet tears.”

Somehow, we made it through the pages I wanted to read and adjourned for the day, but not before our older daughter had scrawled “I SEE YOU” in bright red letters on a piece of three-hole notepaper for her younger sister.

I had planned to eat leftover beef stew for dinner, but Nell threw me a curve by taking the bechamel she had made the previous day, adding what remained of our shredded cheese, and pouring it over cooked whole wheat penne. I could not stop eating this faux macaroni and cheese out of its pot, it was that delicious. Later, though, I did heat up some beef stew and eat it over some of the cooked penne left out of the pot.

You see why I need to keep jumping up and down in the backyard every afternoon.

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On the morning of Wednesday, April 15, 2020—the day our stimulus payment landed in my checking account—our younger daughter inadvertently missed two online meetings of her 4th grade class. When I came downstairs that afternoon, she calmly told me what had happened before bursting into tears; what I quickly realized was that thought she would be in trouble with me.

She was not remotely in trouble with me, which I made very clear to her.

Once “Daddy” school began on Wednesday, April 15, 2020, we settled into the living room to watch Episode 4 of Jazz: A Film by Ken Burns, which broadly covers the years 1929 through 1934. At one point, I paused the program to explain the stock market crash of 1929 as best I could.

Otherwise, we watched in companionable silence—until about halfway through the nearly-two-hour-long episode. I forget what set our older daughter going again—perhaps it was her joyous cries of “Kashi” at the snack she had just obtained from the kitchen. At any rate, from the blue sofa, where her younger sister was snuggled under a comforter, I heard, “At least she didn’t offer to bake a pie.”

Really, kid, really?!?

And with that we once again tumbled down the murpleberry pie rabbit hole…though we did manage to complete the episode. Shortly after this, we received official notice from the Town of Brookline that protective masks are now required any time we leave our homes.

Dinner that night was leftovers, with me eating one of the two cauliflower crust frozen margarita pizzas I had purchased at CVS a few weeks earlier. They are tasty enough when you eat them, but the aftertaste is nasty.

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When I came downstairs on Thursday, April 16, 2020, I was a bit confused what day of the month it was; Nell had not been sure if it was the 16th or the 17th, so she left out the second digit, neglecting to add it later.

InkedApril 16_LI

The girls and I settled in the living room to finish watching Border Incident, which we had begun the previous Thursday. After its gruesome finale, I showed them the opening and closing scenes—the latter featuring some of the most striking chiaroscuro lighting I have ever seen—of He Walked By Night. At the start of these final scenes, the main character—and villain—has a small dog in the apartment in which he hides from the police. Our daughters were frankly more concerned with the fate of the dog than of its owner, even as they kind of wanted him to escape. He does not; it is unclear what becomes of his dog.

My plan then was to use a darkened room to experiment with photographing persons and things, comparing the traditional three-light schema—key (front), back and fill (side)—to the sparer cinematography often associated with the classic era of film noir. However, at that time of day—and it was a sunny day—it was not possible to make any room sufficiently dark, so we will try another time. Instead, we returned to the living room to watch the opening scenes of the Weegee-based 1992 film The Public Eye.

At that point—shortly after 4 pm, I believe—I was prepared to dismiss class for the day, given how long Wednesday’s class had been and how long I anticipated Friday’s class would be. Our younger daughter actually wanted to continue watching the film, but her older sister indecisively hemmed and hawed for a few minutes. Once I made clear class was no longer in session, though, she beat a hasty retreat into her bedroom.

As much as her younger sister enjoyed the film, meanwhile, once I pointed out Stanley Tucci, then a relative unknown, who plays a major role in The Hunger Games films, she became distracted by her love of the series; she has been falling asleep many recent nights listening to Audible recordings of the books. That was my cue to dismiss class for the day.

I then girded myself to drive to our local CVS to pick up refills of two of my four prescription medicines. It feels weird to put on socks these days, let alone a face mask and clean white rubber gloves, but I did so. I moved Nell’s Pilot onto the street before driving away in my Accord—this way both cars were started at least once this week.

Earlier that day, Nell had told me how many items were NOT available from the Wegman’s online shopping service, with cheese and breakfast cereals among the most notable. Thus, when I arrived at CVS, I hopefully looked through the refrigerated section—no cheese of any kind. I did grab a family-sized box of Honey Nut Cheerios…as well as three flavors of Haagen Dazs ice cream (butter pecan, dulce de leche, strawberry); one bag each of Doritos, Fritos and Harvest Cheddar Sun Chips; and a package of Fig Newtons. I generally try to limit my intake of junk foods, but these are not normal times. Plus, I get to jump up and down in the backyard nearly every day…have I mentioned that?

Tossing some non-food items into my overflowing plastic basket, I got in the line, separated six feet from each other patron, for the prescription counter; I am convinced strips of blue tape will be the future symbol of this era. Two white plastic folding tables blocked direct access to the counter: the card-swipe machines sat atop the tables. When it was my turn, though, I was only permitted to pay for my prescriptions—which, thanks to good health insurance, only cost $1.18 in total—there. I paid for the remainder of my items at the storefront registers and left.

Briefly debating with myself, I decided to brave our small local Star Market. As I parked along the side of the building, I noticed an array of orange traffic cones and those ubiquitous strips snaking away from the main entrance. However, nobody stopped me as I walked into the relatively-empty store. I found it well-stocked with cheese and cereals, so I purchased a wide variety of the former and two of the latter.

When I arrived home, marveling at how few cars were on the road at what used to be called “rush hour”—and having been heartbroken driving by a bar and restaurant owned by friends—Nell set to work washing the outside of nearly everything I had purchased. She repeated this process at 6:45 or so when our Wegman’s order arrived—26 plastic bags filled with varying degrees of skill.

For dinner, Nell made use of some salad greens about to rot and to prepare a delicious turkey taco salad; our food-contrarian young daughter had mini-burritos with melted cheese. Then, after the evening routine I detailed above, I completed the PowerPoint slides I needed to teach the history of folk rock Friday afternoon. This task took me until 3:00 am, after which I folded the laundry which had again accumulated on the blue sofa.

Knowing I needed to be awake at 9 am for our younger daughter’s virtual state-mandated annual Individual Enrichment Plan meeting, I sacked out on the freshly-laundered cushions of the white living room sofa and went to sleep.

I did not bother to set the alarm on my iPhone.

**********

I first stirred just after 8 am, when Nell awoke and fed Ruby. At 8:29 am, Nell took Ruby out for a walk. Exactly one minute later, the alarm on the iPhone Nell had left on the classroom table, went off…loudly.

That was my cue to go upstairs to bed until my presence was required, first turning off Nell’s alarm. At 8:57 am, Nell woke me up with a start, and I wandered sleepily downstairs, hoping this would not be a video meeting.

It was…but because other people could only hear Nell if she plugged her headphones into her laptop, I became a proxy participant only. I was perfectly content to sit on the white sofa—Nell sat on the blue one—and fiddle with a Rubik’s cube. At one point, I shuffled into the kitchen to replenish my water—it seemed foolish to drink coffee then. As I returned, not realizing Nell’s microphone was on, I belched.

Loudly.

Oops…sorry

The meeting went well, meanwhile, ending just over an hour after it began. Our younger daughter elicited all manner of deserved praise for her sunny disposition and hard work, and it was agreed she no longer required occupational therapy. Parental obligation behind me, I put myself to bed for real. Nell awoke me at 2 pm, so class did not begin until 3:16

Before presenting the 220 slides—many one slide broken into seven or eight slides to maintain flow—I sketched out how rock and roll, infused by musical genre or cultural influence to create each branch, rapidly expanded after 1964.

Rock and roll branches

Rock matures

Folk Rock

Early in the presentation, I had to reprimand our daughters for discussing The Hunger Games rather than pay attention to their loving, hard-working father. I appreciate that by Friday afternoon, it is hard to focus…but, c’mon The Byrds were freaking awesome!

Here are highlights of their reactions:

  • They were disturbed by how facially-hirsute The Beatles—“They used to be so cute!”—became in the late 1960s
  • The gyrations of R.E.M. band members in the “Wolves, Lower” video—an example of a later band heavily influenced by The Byrds—disturbed them.
  • They were quite taken by the young Joni Mitchell—finally, a woman! In fact, they were riveted by this video.
  • Our older daughter reacted positively to “The Sound of Silence”: “I know this song!”
  • They reacted to The Graduate—which both daughters thought sounded like the title to a horror fil—with “Who’s Dustin Hoffman?”
  • That same daughter decided Neil Young was pretty unpleasant. Profound influence aside, I agree: he just always seems to be angry about something.
  • She also liked “Marrakesh Express

As I was teaching, meanwhile, our older daughter was making herself hysterical “drawing” family members with her eyes closed:

Drawing 1 April 17

Drawing 2 April 17

Drawing 3 April 17

It took over two hours, but shortly after 5:30 pm class was dismissed—bringing week five of home schooling to an end.

For dinner, Nell decided we should lay off meat for a few days, so she made a mouth-watering asparagus and green pea risotto. At 8:30, we settled onto the white sofa to watch episodes three and four of season three of Broadchurch.

And that was that.

Until next time…please stay safe and healthy…

Dispatches from Brookline: Home Schooling and Social Distancing XI

I have described elsewhere how my wife Nell, our two daughters—one in 4th grade and one in 6th grade—and I were already coping with social distancing and the closure of the public schools in Brookline, Massachusetts until at least May 4, 2020. Besides staying inside as much as possible, we converted our dining room into a functioning classroom complete with workbooks, flip charts and a very popular white board.

**********

I have no further news about my older, severely mentally-impaired sister Mindy, who tested positive for the novel coronavirus last week. Meanwhile, Nell’s mother Sarah has not yet tested positive, despite an outbreak in the critical care unit of her senior living facility, where she has been living since a bad fall last November.

In January, she was diagnosed with Alzheimer’s disease, requiring Nell and me to clear out the bungalow in which she has lived since July 2013 by February 29. We managed that feat with hours to spare, in no small part due to the prior efforts of one of Nell’s first cousins. We relied heavily upon a storage unit we have rented as long as Sarah has been living in that bungalow. Nonetheless, a load of my mother-in-law’s furniture and belongings now resides in our half of a fairly spacious basement.

And it was into this teetering maze of tables, bookcases, boxes and storage bins I found myself venturing late on the afternoon of Saturday, April 11, 2020. Just two nights earlier, I had written a long e-mail to my maternal aunt and her two children in which I had neglected to wish them Chag Sameach for the second night of Pesach.

It was thus no small irony that what I—a Jewish-raised atheist—sought in the basement was the second of a pair of decorative Easter baskets Nell—an Episcopalian-raised agnostic—needed for the following morning. I was also in search of empty plastic eggs, which I saw almost immediately after insinuating myself into a narrow opening between a dining room table and a bookcase. And while an exhaustive search did not turn up the specific basket I sought—I did find an acceptable substitute—I happened upon two bags of paper grass, one purple and one green.

This was all very satisfying, even if I normally pay little attention to how Nell and the girls celebrate Easter. However, a short time later, as I was headed upstairs for some reason, our younger daughter came bounding into the living room excitedly proclaiming her anticipation of the following morning.

Perhaps it was because I was still irritated by President Donald Trump’s callous “HAPPY GOOD FRIDAY!” the previous day, even if I have no dog in this fight. At any rate, I demanded to know if our younger daughter, who is on the cusp between accepting and rejecting such entities as the Easter Bunny and Santa Claus, even knew what was commemorated on Easter Sunday. She actually did, it would turn later, but in the moment was unable to retrieve that information.

And when Nell also hesitated, it fell upon me—or so I thought in that inexplicable moment of prickly self-righteousness—to tell my version of the Biblical story of what happened to the body of Jesus two days after his crucifixion. To her credit, Nell then admirably filled in the gaps of my story, though she insisted on referring to Tetrarch Herod as a pharaoh. And that led us down a further rabbit hole of discord, which Nell and I then carried upstairs then back down into the kitchen. She berated me for saying our younger was not allowed to celebrate Easter unless she knew its backstory, to which I indignantly retorted I only said she should know it, not that she was disallowed.

The background music for this ridiculous contretemps was the movie Nell had turned to on Turner Classic Movies. There are a handful of movies I have essentially memorized–The Maltese Falcon, L.A. Confidential, a few Marx Brothers films–but it is likely the first one I learned this way was Peter Bogdanovich’s 1972 masterpiece What’s Up Doc?. I could not help but recited the dialogue even as we were having our heated discussion. Such is the nature of good art.

But as is usually the case with the regular dust-ups between me and our younger daughter, it was over almost as soon as it had begun—with some tears and an apologetic father.

Well, except for one karmic postscript.

After Nell and I resolved our own quarrel, I took our golden retriever Ruby out for a needed visit to the backyard. We walked out our front door, down a few wooden steps to the sidewalk, then right to the edge of the driveway. Here, Ruby took off like a shot towards the backyard which slopes down from the driveway; I scampered after her. As I did, something small and furry raced by me in the other direction.

It was a small brown bunny.

Which I promptly relayed to Nell and our daughters with the winking addendum, “Make of this what you will,” which especially amused our younger daughter.

Soon after that, Nell and I settled down to watch a movie; I brought with me some of the same brownies as the night before. We had watched One Crazy Summer as a family the previous Saturday night, which got Nell and me talking about the relationship between Demi Moore and her ex-husband Bruce Willis. Which is why I recommended—it was my turn following Nell’s suggestion of Broadchurch—the 1991 crime thriller Mortal Thoughts.

However, once I told Nell how horrible Willis’ character is in the film, she hesitated a moment; he will always be David Addison to her. And the violent early scenes almost put her off as well. Still, she persisted, and I was rewarded with a “that was better than I expected” when it was over. I observed we had just watched one of two movies released in the first half of the 1990s, the other being Pulp Fiction, to feature both Willis and Harvey Keitel—but never in the same scene.

Once Nell and the girls had gone to sleep, and I had put in a few hours preparing many of the PowerPoint slides for Monday’s “history of rock and roll” class, I was inspired to watch a film which has likely ascended into my top 10 favorites, and which shares a key feature (which I will not spoil) with Mortal Thoughts: The Usual Suspects. Bryan Singer’s 1995 masterpiece gets better every time I see it.

By the time I awoke on Sunday, the Easter celebration had already ended, though our younger daughter has yet to find two of her stuffed plastic eggs. The classroom table was laden with numerous sizes and colors of chocolate eggs and one or two unwrapped chocolate bunnies when I finally went downstairs.

Nell was preparing to cook a large, delectable ham and a bundle of asparagus, much to my delight. First, however, I had committed myself to walking down the hill to a small local grocery store for a handful of dairy items I deemed necessary.

Thus, once I had completed the meal I call “breakfast,” I put on socks, a navy-blue windbreaker and my docksiders—along with one of the yellow and white cloth masks, complete with elastic bands, one of our downstairs neighbor shad sewn for us. In my shirt pocket were two thin white rubber gloves. I was carrying two of the white plastic shopping bags I had been given at a nearby Star Market a few weeks earlier.

I was about halfway down the hill, my sinuses already rebelling against the damp weather and the spring pollen floating in the air, when I realized I had neglected to take my wallet—or any of the other items I routinely put in my pockets before going anywhere; my Swiss army knife, Burt’s Bees lip balm, a pen and pocket-sized pack of tissues. At least I had my keys.

This is how out of practice at going to stores we have become.

I trudged back up the hill, retrieved the forgotten items then walked back down to the store. All but one of the few other customers wore masks as well. Somewhere in my journey, I had lost one of the rubber gloves, so I only used one gloved hand to pick up the few items I needed. Walking to the one open register, I saw blue strips of tape marking six feet gaps on the floor; a large clear thick plastic sheet was suspended in front of both registers.

When it was my turn to pay, I began to put my blue shopping basket onto the counter. “No, you can’t do that,” said the young woman in the gray Mount Washington sweatshirt standing behind the register. “Sorry,” I said, taking each item out of the basket with my gloved right hand, after which I put the basket on the floor a bit further away. I also bagged my groceries.

Once I had lugged those groceries up the hill and into the kitchen, I used a Clorox wipe to “disinfect” each item.  I then put my windbreaker through the neck of a deck chair on the porch off of my office to air out, while I stripped and took my second hot shower of the day. But not before I had distractedly scratched the stubble on my jaw my gloved hand, because, you know.

The four of us gathered for dinner in the living room not long afterward. As we ate, we watched the latest Buzzfeed Unsolved true crime video from “the boys”: the 1954 murder of Marilyn Sheppard. Given the relative youth of the episode’s hosts, I was not that surprised they nelglected to mention the enormously popular television series loosely based upon the case, The Fugitive. And that led me to explain why Philadelphia-born noir writer David Goodis had sued the producers of the series.

A short time later, after I had made significant headway in my nightly kitchen cleaning, Nell and I settled back in the living room to watch the first two episodes of the third and final season of Broadchurch. The epilogue to this was my finally finishing my PowerPoint slides just after 3:30 am.

**********

When I awoke—slowly, sluggishly, somnambulantly—on Monday, April 13, 2020, a violent rainstorm was blowing outside our bedroom porch doors. In fact, the wind blowing through the glass doors rattling the black, pull-down shade so that the wooden grip at its bottom knocked against the door had been waking me on and off for some time.

I finally roused myself, though, showered, dressed and made my way downstairs.

This is what greeted me in the classroom:

April 13

And on the always-popular white board, Nell had drawn this:

Its Monday Gerald and Piggy

I was running late, so I wanted to gather our two daughters quickly enough to begin class at 3:00 pm. Wandering into my office to collect my desktop computer, I noticed the remains of our younger daughter’s breakfast and her Harry Potter plastic wand on my desk. She now uses my office—to participate in online meetings with her fourth-grade teacher—because it is quiet once the door is closed.

This is fine with me, so long as she cleans up after herself, which she usually does; on this day, she was even more scattered than usual. Mildly miffed, I yelled out for her. When she did not respond, I marched over to her closed bedroom door and knocked rather vigorously on it. Opening the door, I pointedly told her what was on my desk. Apologetic, she scurried into my office to retrieve her dishes—though she still forgot her wand.

I was not actually that upset, but a short time later, as we were about to begin class, she burst into tears. Nell and I were standing in the kitchen with her, and we tried to puzzle out why she was suddenly so upset. She usually does not know in those moments, though I suspect I startled her with my loud door rapping; she reacts poorly to such things—and the loud weather did not help.

But these once again subsided quickly, and she and her older sister settled into the classroom to see this:

British Invasion

British Invasion

We worked through the slides, covering Beatlemania, the early days of The Rolling Stones and The Who, and a few other key British Invasion bands in good time, finishing around 4:45 pm. I did my best to “explain” the first of these, to which our older daughter sniffed, “They’re not that cute.” Our younger daughter was amused by the change from the “mod” Who of 1964 to the more outlandish Who of 1969–even if she is now convinced Animal was actually the Who’s drummer. And the only song our older daughter especially liked was The Animals’ “The House of the Rising Sun.”

Well, there had been one unexpected—and joyful—break in my presentation. The only YouTube video I had not been able to link to a slide was for Devo’s surrealist cover of The Rolling Stones’ “(I Can’t Get No) Satisfaction.” When I came to that point in the presentation, I went to the URL I had saved. As I was fussed with my mouse to make the video full screen, the video for A-ha’s “Take On Me” somehow began to play.

This is our older daughter’s often-proclaimed favorite song, so I promised we could play it once the Devo video—which I played, along with Patti Smith’s seminal cover of Them’s “Gloria,” to demonstrate the durability of certain iconic rock songs—had ended. At which point our older daughter bounced out of her chair, crying, “I need some room to floss!”

Following both versions of “Gloria—our daughters were not quite sure what to make of Smith, with our younger daughter remarking, “It seems obvious to me stuff happened to her in her childhood”—class was dismissed.

This was my chance to, at long last, remove the slowly-discoloring wedge of lime from the green SodaStream I have commandeered as my own. It took a series of knives of various sizes, a long metal skewer and some very strong fingers to complete the task. I did not replace the soggy mess I removed with a fresh lime wedge, or even a lemon wedge.

The highlight of the rest of the evening was the mouthwatering faux croque monsieur, sans fried egg, Nell cooked for each of us from some leftover ham, despite earlier protestations she was too lazy to make a bechamel and our dangerously-low quantity of cheese. I washed mine down—albeit a few hours later—with a can of Wolfgang Puck’s delicious basil tomato bisque.

Sheltering in place with my beloved wife and daughters has its perks.

Until next time…please stay safe and healthy…

Dispatches from Brookline: Home Schooling and Social Distancing X

I have described elsewhere how my wife Nell, our two daughters—one in 4th grade and one in 6th grade—and I were already coping with social distancing and the closure of the public schools in Brookline, Massachusetts until at least May 4, 2020. Besides staying inside as much as possible, we converted our dining room into a functioning classroom complete with workbooks, flip charts and a very popular white board.

**********

I neglected to mention—having forgotten all about it—a call I received on Tuesday. One that I received on my iPhone, Nell received on her iPhone, and we received on our landline.

I listened to the voicemail the woman calling had left me and decided it was not urgent.

The same person called me again on the morning of Wednesday, April 8, 2020.

When I went to bed the previous, err, night, I was wicked excited for what I had planned to teach our daughters Wednesday afternoon. And I was still excited when I awoke that, err, morning. Sleepy, but excited.

Once I had gone downstairs, however, I thought I should call back the woman who had called three of our phone numbers four total times in two days before lugging my desktop computer into the classroom.

As I have written elsewhere, my older sister Mindy has had severe mental disabilities since birth. In December 1974, she entered the Woodhaven facility in northeast Philadelphia; she has lived there ever since. I became Mindy’s legal guardian after our mother died in March 2004.

The woman trying so hard to reach me was calling from Woodhaven. I had concluded from her initial voice mail she was simply calling every resident parent and guardian to provide an update on how Woodhaven was dealing with the novel coronavirus pandemic. But her persistence swayed me, and I called her back.

What I learned is that Mindy, who is 58 and has numerous comorbid conditions, has tested positive for the novel coronavirus. For now, her symptoms are fairly mild: elevated fever and runny nose. Nonetheless, they moved Mindy and a number of other residents to an unused residence on the same campus. But as the woman and I discussed, the novel coronavirus is going to sweep through these units like a scythe through wheat; there is little we can do about it. Not to be overly ghoulish, but a very practical part of me is now relieved I purchased a burial plot for my sister more than a decade ago. This was on the advice of multiple interested parties. Still, I was hit hard by the news—it is the closest the pandemic has come to us.

We had already come very close with my mother-in-law, as there is an outbreak of the novel coronavirus in the senior care facility in which she lives. They have already moved her twice to keep her from becoming infected; she loves her current room, which overlooks a garden.

The upshot was that I was less excited when class started some 15 minutes later. We began with my asking if they had heard about United States Senator from Vermont Bernie Sanders ending his bid for the 2020 Democratic presidential nomination, making former Vice President Joe Biden the de facto nominee. They had, and we had a conversation about the relative ages of Biden and possible vice-presidential nominee picks. Then I told them about their aunt. They took this news in stride; to be fair, they have only spent time with her once.

In fact, at this point, our younger daughter needed to tell me about a “joke” she had inadvertently made that morning watching an episode of Seven Worlds, One Planet; they had finished The Blue Planet the previous week. At one point, narrator David Attenborough had been talking about Colombia before switching to a small island off the coast of China. Looking up then—and having missed the transition—our younger daughter exclaimed, “That’s Colombia?!?” This then became a running joke between the three of them for the rest of the episode.

Once I started to talk about how American music did NOT die following the February 3, 1959 plane crash that killed Buddy Holly, The Big Bopper and Ritchie Valens, however, I quickly hit my stride.

Not so sleepy 50s

My simple contention is that, despite a relative period of hibernation for rock and roll, American music actually flourished between February 3, 1959 and the arrival of The Beatles in New York City five years and four days later. It was only 12 years after the fact, and with a blindered, rock-centric view of music, anyone could claim music “died” that day. But in making my arguments the previous Friday afternoon, I rushed my presentation and played no music. So, I created a PowerPoint presentation replete with sample songs for every artist.

The Music Never Died

After listening to songs by the three musicians who died in Clear Lake, Iowa that winter day—with older daughter recalling Holly as “the geeky one” and Nell rocking out to “Chantilly Lace”—I played them one track each from three of the great jazz albums released in 1959: “So What” by Miles Davis, “Take Five” by the Dave Brubeck Quartet and “Goodbye Pork Pie Hat” by Charles Mingus. The first and third tunes elicited little response, but our older daughter reacted excitedly to “Take Five”:

“Hey, I’ve heard that song on Donkey Kong!” (She reminded me later this is a level of Mario Kart.)

A few moments later: “Wait…if hearing this song is education, does that meaning playing Donkey Kong is education?”

Sorry, kid, it is not.

We then moved on to developments in popular music. Our older daughter could not get past Roy Orbison’s slicked-back hair to appreciate the effortless clarity of his tenor singing voice. I did get the chance to explain who Dick Clark was watching Bobby Darin perform “Splish Splash” on a companion program to American Bandstand. Our younger daughter then insisted that Dionne Warwick “sounded French” singing “Don’t Make Me Over.” Her older sister and I never did figure out exactly she meant by this.

The remainder of this section of the presentation elicited little comment, although our younger daughter was quite taken with Frankie Valli’s powerful tenor voice.

After a short break, I quickly ran through how the 1950s were not as sleepy as usually portrayed, all the way through the assassination of President John F. Kennedy in November 1963. I am laying the groundwork for a perhaps-vain attempt to explain why The Beatles made such an outsized impact in the United States in 1964.

And then we reviewed three very different artists who began to wake rock and roll from its sleep. I had summarized the formation of The Beach Boys and The Beatles the previous Friday, so I simply played “Surfin’ Safari” and “Please Please Me.” Our older daughter surprised herself a bit by enjoying the former song.

In between, I started to talk about a young Jewish-raised folk singer from Duluth, Minnesota. Just as I was saying he had been born Robert Allen Zimmerman, our older daughter interjected with, “Oh, is he Bob…Dylan?” When I played a clip of “Blowin’ in the Wind,” the same daughter thought he was cute—in no small part because of his tousled hair.

And with that, class was dismissed.

Famished, and having been craving tuna fish salad for a day or two, I made what amounted to a deconstructed cheddar tuna melt—the ultimate comfort food, even if it lacked bacon, tomato and diced celery. That did not stop me from happily consuming one of Nell’s delicious cheeseburgers with sliced onion, lettuce and tomato, as well as the rest of the cheddar-flavored potato chip she had impulsively bought the day before.

After that, pausing Chris Hayes, we gawked at the beauty of the “pink moon.” I quite like that these photographs taken from our upstairs porch are a bit blurry.

Pink moon

Misty-eyed view of Boston

**********

When I went downstairs on Thursday, April 9, 2020 this is what greeted me in the classroom:

April 9

Once again, I schlepped my desktop computer into the classroom. This time it was to show them a set of slides I had prepared for the “What Is Film Noir” adult education course I taught in October 2018:

Cinematography

I focused on the role of what once was called the “lighting cameraman,” the chiaroscuro tabloid photography of Weegee, and the six collaborations between cinematographer John Alton and director Anthony Mann.

We then moved into the living room to watch the 1949 Mann-Alton film Border Incident. I chose this film over the previous year’s He Walked By Night to demonstrate film noir did not always take place in the criminous urban jungle-and that it could feature, in the expert hands of Mann, an almost casual masculine violence. Our older daughter was favorably impressed when a young Ricardo Montalbán appeared on screen, noting his “charisma.”

I could not agree more, kid.

We stopped the film, however, with about 20 minutes left to go—which includes one particularly dark, in every sense, murder scene—because our younger daughter desperately wanted to watch the second Hunger Games film. The latter is 146 minutes long, and the goal was to watch it before Chris Hayes started at 8 pm.

As the film was playing, Nell came into the kitchen to ask if she could make pasta with sauce and turkey meatballs—well just cheese and butter for our tomato-sauce-loathing younger daughter. She asked me because, well, while Nell can cook almost anything brilliantly, I am better at preparing pasta.

Which is how I came to make dinner that night for the first time in weeks. It was merely boxed whole wheat linguine, a jar of Rao’s marinara sauce and frozen Trader Joe’s turkey meatballs, but I always heavily salt the water, simmer the sauce on low heat and gently stir the pasta in the boiling water to keep the strands from sticking together. Some things simply cannot not be rushed.

And, wow, was it good. Nell later came into the kitchen to say, “This is so delicious, I am taking seconds.” She also called me a “rock star” because I had already mostly cleaned the kitchen—the highest compliment I generally pay.

A few hours later, once everyone had gone to bed and the kitchen was completely clean, I sat down to write an e-mail I had been planning to send for months. It was to my maternal aunt and her son and daughter, and it began by apprising them of the health status of Mindy and my mother-in-law. It also finally brought them up-to-date on all I had recently learned about my genetic family—one of whom I met in person last August in Philadelphia—and my aunt’s father’s career with the Philadelphia Police Department.

One reason it had taken so long to write this e-mail was my desire to attach the chapter of the book I am writing that discusses my mother’s ancestry. But I had had yet to incorporate new information I had learned from this same aunt in January into the chapter, complete with validation through sources like Newspapers.com. This I finally began to do Wednesday evening, with a full chapter edit on Thursday.

The editing and e-mail composing took a few hours to complete, during which I needed to put our golden retriever in her crate. As much as I enjoy writing, this was a particularly emotionally draining experience.

And so, of course, I completely forgot to wish them a Chag Sameach–Happy Festival–in honor of the 2nd night of Pesach, or Passover, despite having just looked at black-and-white photographs of my maternal grandfather’s family holding its annual Seder–a meal during which the story of Passover is told in ritualistic fashion–in 1946 and 1953.

**********

When I awoke on Friday, April 10, 2020, I found a voicemail from my maternal aunt on my iPhone. She had read my “captivating” e-mail and was in the middle of reading my chapter, wondering where the information on her mother’s family was. At this point, I literally said, “Keep reading. Keep reading. It is all there” to the voicemail.

Going downstairs a short time later, already running late to start a 2:30 pm class, I found this in the classroom:

April 10

It was thus closer to 3:15 than 3:00 when the three of us settled in the living room to watch Episode 3 of Jazz: A Film by Ken Burns. I prefaced our viewing with a brief summary of the first two episodes. Unlike the previous Monday, though, we watched the episode without rancor or hard feelings. And when we began to hear the story of a clarinet-playing Chicago-born son of Ukrainian-Jewish immigrants named Benjamin David Goodman, I paused the episode to point out the similarities with the family history we have been discussing on Tuesdays. And I also made the mistake of foreshadowing the tragic death of legendary blues singer Bessie Smith, with whom our older daughter was quite taken.

In fact, both daughters have gotten into the flow of the series, even if our younger daughter fell asleep on the blue sofa about halfway through this one. I later learned a proximate cause: she had a fever of 102.2 degrees. Otherwise, she seems generally healthy. We shall see…

About halfway through the episode, we took a short break during which I toasted the last of our whole wheat bagels. Putting in onto a plate with a knife, I grabbed what I thought was opened foil-wrapped brick of cream cheese and took it back to my seat in the living room. As I spread it on my bagel, however, I noticed the consistency was too thin, and it melted almost like butter. It did not taste quite right, either, though it took me a few bites to realize this was not, in fact, cream cheese. I then found an actual brick of cream cheese in the refrigerator, which made all the difference.

Relaying this mistake to Nell later, her response was an alarmed, “What? You ate Crisco?” She had a similar reaction when I brought out from the office the half-full glass of kefir I had been too tired to finish before going to sleep. We will not even talk about the soggy wedge of life that has been floating in my green SodaStream bottle for a few weeks; you can see my bottle in the center background of the first photograph above.

Once the episode had ended, and our younger daughter had awakened, I dismissed class—and week four of home schooling. At this point, her older sister jumped up from her chair and took off for her bedroom, throwing over her shoulder, “See ya! I am off to play LankyBox!”

At that point, it was time to take Ruby out for her evening romp in the backyard, resulting in her second shower in 10 days. A few hours later, I sat down with Nell and a bowl of her delectable beef stew to watch the final two episodes of season two of Broadchurch, the capstone to our first month of sheltering in place. I followed the stew with a tall glass of non-fat milk and a mixed plate of Nell’s homemade dark chocolate brownies–the recipe being from Alton Brown led me to call them Alton-Brownies: one part from the batch she made for the entire family, one part from the batch she made only, with a special, newly-legal type of infused butter, just for her and me.

I cannot think of a better way to end the week than on this high note.

Until next time…please stay safe and healthy…

Dispatches from Brookline: Home Schooling and Social Distancing IX

I have described elsewhere how my wife Nell, our two daughters—one in 4th grade and one in 6th grade—and I were already coping with social distancing and the closure of the public schools in Brookline, Massachusetts until at least April 7, 2020. Besides staying inside as much as possible, we converted our dining room into a functioning classroom complete with workbooks, flip charts and a very popular white board.

**********

Over the past four days, our mostly-tranquil coexistence has shown signs of fraying around the edges. Call it “stir-craziness,” call it “cabin fever,” call it whatever you like—as we entered our fourth week of sheltering in place, our younger daughter was especially sensitive, and I was particularly moody. There is a reason that for two consecutive years of high school Halloween parties I dressed as Hermes—or Mercury, if you prefer the Roman version—the impish, speedy messenger of the gods. Not satisfied merely with portraying an ancient deity, I made wings for my “sandals” out of aluminum foil (I also made a caduceus, but I not recall how). The goal was to imitate silver—as in quicksilver, another word for the element mercury. I was thus a “walking pun,” literally “quick silver;” adding to the word play was my mercurial nature.

Yes, I was that much of a geek in high school. What do you expect from a boy who dressed as Nicolaus Copernicusfor Halloween when he was 10 years old? The portrait from which my mother attempted to fashion a costume showed him wearing what looked a short fur coat, so most of the people handing out candy thought I was a king of some sort. When I explained I was actually a 16th-century Polish astronomer, few, if any, shared my excitement this was the man who revolutionized our understanding of the cosmos by determining the sun was the fixed point (relatively) around which the planets—including, brace yourself medieval minds, the Earth—revolved.

Meanwhile, back in 21st-century Brookline, I must take the bulk of the responsibility for the tension between Nell and me, which did not fully resolve itself until Monday evening. Something Nell told me as I was saying good night to her Friday—which I do before I commence my night routine, along with taking one of my blood pressure medications—threw me for a loop. I reacted poorly, and I can only attribute some of that to barely leaving the apartment for three weeks. It was less what she told me, which did not especially disturb me, than the way she dropped it into the conversation out of the blue as she was preparing to go to sleep. We eventually resolved that issue…for the moment.

Nonetheless, the following afternoon and evening were perfectly innocuous. Earlier that day, Nell had finally successfully colored our younger daughter’s hair—in this case, one side a vibrant red and one side a vivid blue. I once joked our younger daughter was punk, while her older sister was new wave; I may have had the two reversed.

Blue and red all over

When I finally wandered downstairs, I was mildly disappointed Nell had not made pancakes and bacon as she had suggested she would when we were having our back-and-forth the previous night.

Correction—at first, I thought she had made them, but had not saved any for me. I soon realized I was wrong, however, when the small flat pan awaiting my washing skills in the kitchen sink told me she had made crepes instead.

My bad.

A short time later, Nell suggested we order take out for dinner. When I told our younger daughter (hamburger, lettuce, mayonnaise) we were getting food delivered from our favorite local joint, she responded with “Yes!” and a right fist pump. Our older daughter (small super veggie pizza) was more blasé, unlike her sister, father (Greek salad, chicken parmigiana sub) and mother (steak and American cheese with mayonnaise and caramelized onions). Given how many “chips” I have watched characters eat recently on Broadchurch, I added one side order each of French fries and onion rings. Once the food arrived—left on our doorstep by an already-tipped delivery person—Nell promptly put my salad into a bowl, the side orders onto a large white dish, and the hamburger onto a smaller dish out of a not-unreasonable excess of caution.

Deciding it was time for a family movie night—and with Nell rejecting my tentative suggestion of American Graffiti, which I had been thinking about since the girls and I had learned about the early history of rock and roll the day before—we opted instead for a 1980s John Cusack movie, settling quickly on a mutual favorite, One Crazy Summer; the cast alone was worth the free Amazon Prime rental.

Speaking of American Graffiti, I had done some memory interrogating earlier that day. As we watched this 1984 documentary, I paused it to tell the girls Bill Haley and the Comets would get renewed attention in the mid-1970s when an enormously popular sitcom called Happy Days used “Rock Around the Clock” as its opening theme. But when I awoke on Saturday, I suddenly remembered a different theme song. Fearing I had misled our daughters, I did a quick Google search. Apparently, the first season—which I never really watched—did open with the Haley song. And it did increase its popularity, sending it back into the Billboard Top 40.

The rest of the evening passed quietly enough. Our daughters were generally entertained by the film—which takes place on Nantucket, so they recognized shots of Woods Hole, with Nell pointing out actual places on the sister island to Martha’s Vineyard. Even more exciting, however, was the discovery by our younger daughter of a forgotten stash of Christmas-themed Trader Joe’s JoJo’s in one of our kitchen cabinets. If nothing else, we are eating through our food stash, even if I refrained from eating any JoJo’s.

After the film, Nell and I watched episode four of season two of Broadchurch as well as the latest video from the boys, who wanted to know who put Bella in the wych elm. We reasoned we could then watch episodes five and six the next night—which we did—and two the following Friday evening, in lieu of our regular MSNBC weeknight lineup. There is only so much news about COVID-19 we can watch.

In large part, because only our older daughter had ordered pizza the previous evening, Nell again made homemade pizza. We were out of pineapple, so I had pear with my pepperoni. This time the crust was a bit thicker and chewier. Intending it to be a compliment, I said it reminded me of Domino’s; she eventually decided it was not an insult.

And that night, for personal reasons, I became moody and distant when Nell and I had our end-of-night conversation. I later apologized, after my mood brightened working on the next phase of “rock history” slides I plan to show the girls for our Wednesday afternoon class, but the foul mood returned the following day.

**********

When I went downstairs on the afternoon of April 6, 2020, this is what greeted me in the “classroom”:

April 6

I was once again absolutely exhausted, even though I had slept reasonably well. Perhaps it was carryover from our routine temperature-taking; the day before I had registered in the 99’s, even though I rarely go much above 97.5. In this time, it is easy to spin the most innocuous of “symptoms” into something more serious. Throw in my year-round seasonal allergies, and…well, it is a good thing I am not a hypochondriac. Perhaps as a result, I took what was simply Nell forgetting to write out the rest of the day’s classroom schedule as a personal snub.

Meanwhile, our younger daughter was on the verge of tears after some miscommunication with a group of friends. We had to talk it through—our younger daughter inherited my “just bear with me” communication style—for 10 or 15 minutes before we could watch the 106-minute-long Episode 2 of Jazz: A Film By Ken Burns. And that was soon interrupted by Nell insisting they put away their Nintendo switches while we watched.

I did not really care that much, knowing they had watched and enjoyed Phantom Lady under the same circumstances the previous Thursday, and that I am happy to have them draw while I teach in the classroom. Also, I just did not really care that much at that point; I just wanted to watch and enjoy the program with a minimum of fuss.

Nell, however, was having none of it. “Fine, if you do not want to teach them, I can just teach them from 10-12.” That stung, so I rejoined with, “Don’t tell me how to teach!”

To which Nell had the trump card, which she threw over he shoulder at me as she walked up the stairs to record a video for her children’s librarian job:

“Right, what do I know? I only have a Master’s Degree in Elementary Education.”

Damn, she is good.

Feeling chagrined, I then expressed my displeasure to the girls, playing the “Do you know how hard your mother and I are working to blah blah blah yadda yadda yadda?” card. It was manipulative—and slightly hypocritical, given my own temporary indifference—but it kinda worked. Both girls payed closer attention to the episode…and the mood lightened considerably. They even enjoyed my brief pause to explain the Volstead Act.

It took until 5:30 or so to watch the full episode. And I learned that even if we primarily watch a video for our class time, I need to do at least a modicum of actual teaching.

Nell and I started sniping again as she prepared Annie’s shells and cheddar with broccoli for dinner, this time even more intensely; at one point, much against all better judgment, I announced I was going to the grocery store, even though Nell was planning to do a spate of such chores the next day. I eventually relented, and we called a truce to watch MSNBC.

Matters finally came to a head when it was time for Nell to go to sleep that night. I wanted to have it out, so I started to do just that. Nell was hesitant at first—this tension had been building for some time, and she was nervous about what might happen should we pursue the matter—but then she opened up as well. She did take the precaution of locking the bedroom door, so that we could not be interrupted by our still-awake older daughter; indeed, the latter brought her Nintendo switch upstairs during this time. And it was surprisingly easy. We explored all of the ins and outs of the situation, ultimately reaching a mutually-satisfying conclusion. Afterwards, we both felt better than we had in weeks. “Why didn’t we do this much sooner?” we asked, realizing that sometimes you just have to push through those mental and emotional barriers.

And for the first time since we began sheltering in place, neither of us had extremely intense dreams.

**********

When I awoke on Tuesday, April 7, 2020—in a far better frame of mind—a proud Nell told me of her adventures in the outside world. She had gone to our local CVS to collect prescriptions—scrupulously avoiding a trio of teenagers not respecting social distance guidelines—and to a small nearby grocery store for some necessary supplies; it has been getting harder to find an open food delivery window online. Upon arriving home, Nell promptly took a long shower.

Some ninety minutes later, when I went downstairs, this is what greeted me in the “classroom”:

April 7

Dr. Dobby, meanwhile, has moved on to other pursuits, though it is not clear which Stranger Things world he is trying to enter. Like the rest of us, his world has been turned upside down.

Stranger Dobby

And the artwork continues unabated, as this emphatic statement from our older daughter reveals:

ME April 7

To prepare for our return to the adventures of the Berger family in early-20th-century Philadelphia, I sketched this on the white board.

OK, fine. I erased the original drawing before photographing it. This is merely an artist’s rendition of what had so disturbed our daughters with its lack of skill; admittedly, they are much better artists than I will ever be.

Philadelphia sort of

I deliberately did not start the class until just after 3 pm, because I wanted this to be a shorter, more focused session. The second half of Friday’s class had lasted longer than I had planned, while Monday’s class had been rough. Thus, I wanted to give all of us a bit of a break.

We began with a rapid-fire, wholly-improvised review of the history of my beloved Philadelphia. I followed this with a review of how David Louis Berger, born October 15, 1869 in Pryznasz in what is now Poland, had arrived in Philadelphia in May 1899 with his wife Ida and four young children, settling first less than two blocks west of the Delaware River—and one block from his brother-in-law Charles Rugowitz—before moving closer to the Schuylkill River. The two spots are marked with red X’s above.

While this was happening, our younger daughter was drawing a remarkably-good “burger” with lettuce. However, when she then proceeded to highlight it with a penlight for her sister, I lost my cool. “How is this relevant to what we are discussing?” I demanded. She teared up at this—without her Ritalin, it is difficult for her to resist such impulses—which broke my paternal heart. However, we both moved quickly past this interruption with a heartfelt hug, returning to listening to her older sister read about the Berger family in the years between 1913 and 1923, including the tragic and somewhat mysterious death of their great-great-grandfather on October 23, 1919.

Shortly thereafter, we adjourned for the day, with little of note happening after that. Nell simply heated up turkey hot dogs wrapped in crescent rolls for their dinner, while I was content to nibble on various leftovers.

Well, all right, I will need to do something about my hair soon.

Until next time…please stay safe and healthy…

Dispatches from Brookline: Home Schooling and Social Distancing VIII

I have described elsewhere how my wife Nell, our two daughters—one in 4th grade and one in 6th grade—and I were already coping with social distancing and the closure of the public schools in Brookline, Massachusetts until at least April 7, 2020. Besides staying inside as much as possible, we converted our dining room into a functioning classroom complete with workbooks, flip charts and a very popular white board.

**********

When I came downstairs on the afternoon of April 1, 2020, the flip chart had not changed from the previous day because Wednesday has become the morning to chill and watch episodes of The Blue Planet.

In that same vein, our daughters and I began to discuss the history of those two profoundly American art forms: jazz and rock. From 3 pm to 4 pm, we watched the first hour of the first episode of Jazz: A Film by Ken Burns. I had first watched it six years earlier, so I knew how broadly entertaining and informative it could be.

After a 36-minute-break, we reconvened to watch the end of the 87-minute episode. We then moved ahead in time a few decades to watch a short video about “The Godmother of Rock-and-Roll,” Sister Rosetta Tharpe. Once that ended, our older daughter vanished into her pre-teen bedroom. Our younger daughter, however, having burrowed deeply under her dark blue quilt on the blue sofa, wanted to watch something else. And by “something else,” she meant an episode by “the boys,” our nickname for BuzzFeed Unsolved’s Ryan Bergara and Shane Madej. This being a lazy day—as many days are these days—I pulled up the most recent episode, one Nell and I had watched a few nights earlier: the mysterious death of Thelma Todd.

About an hour later, I knocked on her bedroom door to get her attention. When she removed her headphone, I told her in my best deadpan voice her mother and I had just decided we would watch five more hours of Jazz that evening. Before she could complete the indignant protest forming in her throat, I yelled “April Fool’s” in my most absurd voice. I repeated the process with her older sister, who barely deigned to roll her eyes at me.

In reality, what Nell was doing was cooking some exceptionally delicious chicken parmigiana.  I consumed a hearty portion as we watched All In With Chris Hayes. Offered seconds, I hungrily accepted essentially what remained in the casserole dish, leading our younger daughter to observe I do “not know what no means” when it comes to second.

Thanks, kid. Thanks a lot.

For all that, I had to stop eating about 2/3 of the way into my seconds so as not to get sick, though I did finish it over the course of the evening.

By 10:45 pm, I had finished cleaning the kitchen, and I decided to tackle aspects of the living room. First, as I watched the most upbeat segment I have seen on television in weeks, I thoroughly scrubbed our glass coffee table with Windex. Even before our actual dining room table became a centerpiece of our “classroom,” the coffee table had become the predominant dinner-eating surface. Once the coffee table was clean, I turned to the pile of clean laundry on the blue sofa crying out to be folded.

In general, Nell is the laundry maven—she finds great satisfaction in working her chemical magic on piles of dirty clothes using Mrs. Meyer’s detergent and OxyClean. Folding, however, is another matter entirely. I am perfectly happy to fold all shared linen and towels, as well as my own clothes.  Theoretically, she and the girls fold their own clean laundry. In reality, however, their clothes take longer to fold, leading me to step in on occasion.

Turning lemons into lemonade, I pulled out my old VHS copy of the Yello Video Show; we still have a dual VCR/DVD player. The upshot: I may also have done something akin to dancing during the 30 minutes it took me to fold those clothes. I freely admit to singing, but the rest is between me and the living room windows.

Later that night—early that morning—I returned to my computer. For reasons that escape me now, I located the “Sun City” video for on YouTube and watched it a few times. And as it has for more than 30 years, it made me weep silently.

But then it was down to business: deciding which film noir I would screen in class Thursday afternoon. The first question was whether I wanted to zero in on a key author—Cornell Woolrich—or a key cinematographer—John Alton. If the former, would we watch Phantom Lady, Black Angel or Deadline at Dawn. If the latter, would we watch Border Incident or He Walked By Night—or perhaps even Raw Deal?

I eventually made a decision, as you will see.

**********

Perhaps it was all the folding and dancing the evening before. Or perhaps it is my current—some may call it absurd, though as a lifelong night owl who relishes the peace and quiet of the dark night, I refute that description—sleeping schedule:

  • clean the kitchen/take out our golden retriever/take out garbage and recycling
  • work until 3 am or so,
  • soak in a long hot bath or revel in a quick hot shower,
  • take my 5 mg melatonin and over-the-counter sinus medication—I am particularly fond of half doses of CVS brand Severe Allergy and Sinus Headache, though I also like half does of DayQuil combined with a dose of CVS brand chlorpheniramine maleate
  • sack out on the white sofa to watch YouTube videos
  • drowsily turn off television to fall asleep on white sofa
  • wake one or two hours later to wander upstairs to brush my teeth and get in our actual bed

Whatever the reason, I had a more difficult time than usual rousing myself on afternoon of Thursday, April 2, 2020. And when I went downstairs and hour or so later, this is what greeted me in the “classroom”:

April 2

Technically, what I first saw was both of our daughters sitting in their usual classroom seats, attentively waiting for “school” to begin—or perhaps it had already begun? Almost before I could ask Nell why our daughters, who usually require some nominal cajoling to begin their afternoon classes, were already there, she said, “Maybe you should go look for yourself.”

So, I did.

Oh.

Dr Dobby

Our younger daughter was now in stitches; she had been plotting this since my “April Fool’s” prank the night before. The piece of paper in front of “Dr. Dobby,” meanwhile, was written by our older daughter to attest to the pedagogical excellence of my temporary replacement.

Once Dr. Dobby and I had agreed I would teach this particular class, I opened some of the PowerPoint slides I had used to teach an adult and community education film noir course in the fall of 2018. First, I wanted to make the point—using my LISTS and POINTS system—that while film noir certainly peaked between 1944 and 1953 in the United States, it was and is an international film type that continues to this day.

Woolrich April 2

Second, and more important, I presented the tragic life of Cornell George-Hopley Woolrich, who sometimes wrote as William Irish. As you can see from the slide, more films noir have been adapted from Woolrich stories than from any other author; this slide only lists the 15 films released between 1942 and 1954 which have at least 10.5 POINTS.

This quote from a 1988 biography perfectly distills Woolrich’s noir fatalism:

“…perhaps the most important moment of his life, literally his dark night of the soul, when he suddenly understood, not just intellectually but in his heart and blood, that someday like Cio-Cio-San [of Madame Butterfly], he too would have to die, and after death there is nothing. It happened…’one night when I was eleven, and huddling over my own knees, looked up at the low-hanging stars of the Valley of Anahuac, and I knew I would surely die finally, or something worse.’ This…was the beginning of ‘the sense of personal, private doom.’ […] I had that trapped feeling, like some sort of a poor insect that you’ve put inside a downturned glass, and it tries to climb up the sides, and it can’t, and it can’t, and it can’t’”[1]

One thing I forgot to tell the girls was how I opened the eulogy I delivered for my mother—their grandmother—on March 2, 2004. Observing that Woolrich was a renowned writer who had essentially invented the psychological suspense story, I noted only four people attended his funeral in September 1968. By contrast, I continued, there were twice that many people in attendance that morning who had never even met my mother, primarily my coworker “family.”

And with that, we settled down in the living room—note the blue sofa devoid of clean unfolded laundry—to watch Phantom Lady. I chose this film because it…

  1. has the most POINTS (42.5) of any Woolrich adaptation, tying it for #27 with The Naked City,
  2. features a strong heroic female lead in 23-year-old Ella Raines,
  3. was directed by the man I most strongly associate with classic film noir, Robert Siodmak and
  4. includes some of the most famous scenes in classic film noir

Just before we started to watch Phantom Lady, there was a brief conversation over whether the girls could use their Nintendo switches at the same time. I started to say no, but then gambled the movie would be compelling enough to draw then in. I knew I was correct when, about 15 minutes in, our older daughter showed me some green animal on Animal Crossing, adding “It’s a good movie, though.”

Meanwhile, unbeknownst to me, that same daughter had had something of a meltdown that morning over the fact she could not see her ribs; we seem to deep in that phase of pre-adolescence. But that makes the exchange we had over Ms. Raines—who I confess I find very attractive (those clear blue eyes…), but who also strikes me as too thin—that much more cringeworthy.

While agreeing Ms. Raines was attractive, she took exception to my fancying her, crying “She’s 20 years older than you!” Learning Phantom Lady was released in 1944, she amended her outrage to note she was 22 years older than me—not counting that she was in her 20s when she starred in it. To this, I unhelpfully added that she was also dead.

Strangely enough, these conversations never took place with my six “What is Film Noir” students. Nonetheless, as a teacher I did pause the film a number of times to point out something about Woody Bredell’s lighting scheme or to comment upon Woolrichian coincidence.

Meanwhile, when Elisha Cook, Jr. first appeared on screen, our younger daughter immediately said, “He was in that other movie,” recalling his key role in Stranger on the Third Floor, which she and I had watched the previous Sunday. This is the same daughter who sliced open an avocado for a snack, somewhat raggedly using her child-safe white plastic knife, while her father instead had a toasted whole wheat bagel with cream cheese.

In the end, both girls enjoyed the film, although the intensity of the penultimate “damsel in distress” scene could be why our younger daughter had her own teary meltdown around dinner time. Being her, however, she recovered within five minutes.

A short time earlier, I had taken the dog out into the backyard. Ten or 15 minutes of frolicking in the mud later, I trotted her upstairs and into our walk-in shower for a long-overdue bathing. Wrestling a wet 50-pound dog in such a confined space is a serious aerobic workout—never mind toweling her off afterward—but on this occasion I punctuated with the loud shrieks of a cooped-up maniac—not unlike the noises Mr. Bergara made when he and Mr. Madej returned to the “Winchester Mystery House.”

When I suggested to Nell, who had overheard my chorus of madness, that such vocalizing was an expression of stir-craziness, she observed “this is only the beginning.”

A short time later, as Nell was preparing Trader Joe’s chili and cornbread, she noted that when she spoke to her friend in Chicago it was 65 degrees and sunny, so that weather should be here soon.

“No,” I replied, “All of Chicago is on lockdown. The weather can’t leave.” She found that genuinely amusing—unlike the usual “that joke never gets funny” response my quips merit—saying, “That’s…that’s funny.”

Thanks, Nell. Thanks a lot.

Later that evening—early that morning—I wrestled with how I wanted to teach the girls about the early history of rock and roll, which I realized was not my strongest area. Girding myself to prepare a set of PowerPoint slides with links to YouTube videos, I quickly found this hour-long documentary from 1984. I watched it and decided it would be good enough.

Which it proved to be.

**********

I may only have been joking about the weather, but I did not expect to wake on Friday, April 3, 2020—thanks to Nell, since I had neglected to set my alarm—to a near-nor’easter. An hour-plus later, when I went downstairs, this is what greeted me in the “classroom”:

April 3

Dr. Dobby was back as well, albeit willing to stay in a supportive role:

Supportive Dr Dobby

I had briefly debated offering the girls the choice between Episode 2 of Jazz or the rock and roll documentary, but I realized I had already set up the latter with the Sister Rosetta Tharpe video. The girls liked the documentary, although our older daughter had a difficult time with Elvis Presley’s slicked-back hair, finding Jerry Lee Lewis much more attractive—well, at least until she realized he had married his 13-year-old cousin.

Her younger sister, meanwhile, quietly watched a few tears roll down my cheek when they showed footage of the February 3, 1959 plane crash which effectively ended the first phase of rock history. Later that night, in honor of Buddy Holly, I finally purchased 18 of his songs on iTunes.

After a 30-minute or so break, the three of us gathered in the classroom, where I “lectured” from these notes (which I admit are mostly cribbed from the Internet minefield which is Wikipedia):

April 3

Three observations I neglected to include in my notes, but which I improvised:

  1. An oversimplification of the Hegelian dialectic
  2. The replacement of the aging Dwight Eisenhower with the much younger John F. Kennedy in 1961
  3. How the emerging songwriting duo of Burt Bacharach and Hal David found their muse around 1962 in the person of a New Jersey gospel singer named Dionne Warwick.

My point was that far from “dying,” American music other than rock and roll thrived between February 3, 1959 and the first appearance of The Beatles on the Ed Sullivan show on February 9, 1964. While there was no guarantee rock and roll would reemerge in those five years—let alone become the dominant pop music for generations to come—it is only with a particularly rock-centric hindsight we say “the music died,” with all due apologies to Don McClean.

And with that, at 5:12 pm, week three of home schooling came to a successful end.

Which Nell and I celebrated by watching the first three episodes of season two of Broadchurch, after consuming her scrumptious steak fajitas.

**********

On March 30, at 10:53 pm, I replied to a tweet to the effect one’s “pandemic” song is the #1 song on your 12th birthday:

Oh dear. 

Oh oh OH DEAR.

Mine is…

Kiss You All Over” by Exile

So inappropriate in so many ways.

Wow

The Billboard magazine week began on my birthday in 1978, so I could have fudged the issue by going with the previous #1: “Boogie Oogie Oogie” by A Taste of Honey. To be fair, I love both songs.

Meanwhile, when I explored the 20 number ones single of 1978 (accursed Wikipedia again…I am slipping), it was hard to miss the fact five were by the Bee Gees or their younger brother, Andy Gibb, and that they occupied the top spot a combined 22 weeks.

Despite being inundated by the Saturday Night Fever soundtrack when I was 11 and 12 years old, I have long since come to appreciate the excellent Bee Gees tracks of the mid- to late-1970s. However, I had continued to dismiss the younger Mr. Gibb for decades, despite his tragic death from heart failure in 1988.

And yet as I looked over those song titles—“(Love Is) Thicker Than Water” and “Shadow Dancing” among them—I found myself mentally humming them, surprised how good I recalled them being. I played snippets of them on iTunes, realizing I had forgotten he had had performed some of them—or I had never known it in the first place.

On Friday afternoon, as I discussed the formation of The Beach Boys—the American yin to The Beatles’ yang—our older daughter half-disgustedly proclaimed them the first “boy band.”  I indignantly shot down that comparison, repeating my contention one of the hardest things in all of art to do is write a memorable, three-plus-minute pop song. The Beach Boys did it many times…

…and so did Andy Gibb, I realized to my chagrin.

Which is why, before I purchased those Buddy Holly tunes, I bought six Andy Gibb tunes; I am enjoying them immensely.

Rest in peace, Mr. Gibb. Your songs remain your greatest legacy.

Until next time…please stay safe and healthy…

[1] Nevins, Francis M., Jr. 1988. Cornell Woolrich: First You Dream, Then You Die. New York, NY: The Mysterious Press, pg. 8.

Rituals and obsessions: a brief personal history

It started with “Taxman” by The Beatles.

Its distorted vocal opening had gotten stuck in my head despite my stated antipathy toward the band—really more pose than position, in retrospect.

Whenever I run a bath, I like to be in the tub while the faucet(s) run. Until quite recently,[1] when the tub was nearly full, I would turn off the cold water and turn on the hot water to its scalding limit, counting down “one-two-three-four, one-two-three-four, one-two-three-four, one-two-three-four” in the same slow tempo as the opening of “Taxman.” Only then would I turn off the hot water and settle in for a steamy cleansing soak.

I realize the actual track opens with “one-two-three-four, one-two” before George Harrison sings “Let me tell you how it will be/There’s one for you, nineteen for me.”

But, hey, my ritual, my rules.

At some point, I stopped employing that ritual to start a bath—only to replace it with one for exiting a bath, even as most of the water had drained around me. During my senior year at Yale, two other seniors and I lived off-campus. Our second-floor walkup had a bathtub, which I used most nights. One night, for…reasons, before the water fully drained, I squatted down and scooped up some water, quickly shaking it out of my hands as though I had just washed my hands in a sink. I repeated that sequence twice, except on the third iteration, I stood up, shaking out my hands as I did so. Only then did I step onto the bath mat.

I have performed this ritual—or some slight variant of it—every single time I have exited a bathtub since the fall of 1987. It is not as though I expect something bad will happen if I do not do so—I am not warding off anxiety; when that particular coin is flipped, it lands on depression for me nearly every time. It is simply that having started doing it, I continued to do it, making it an essential part of my bathtub “routine.”

Funnily enough, I have yet to mention this routine to my psychotherapist.

**********

In a recent post, I detailed ways the Netflix series Stranger Things had resonated with me at a deeply personal level. As of the evening of December 26, my wife Nell and I had watched the entire series—25 episodes over three seasons—twice, the second time with our two pre-teen daughters. Nell’s pithy takeaway: “I would watch it again.” Our younger daughter may already have, quietly watching in her bedroom on her new iPad. She now very much wants her friends to watch the show so she can discuss it with them…or at least have them understand why she suddenly—and with great affection—calls folks, mainly me, “mouth breather” or “dingus.”

Meanwhile, over the course of winter break, a small army of Funko Pop! figures appeared in our home, which our younger daughter arranged in rough chronological order; the short video I took of the sequence is my first ever “pinned” tweet.

Stranger Things tower.JPG

Clearly, I am not the only member of this household now utterly obsessed with the admittedly-excellent series. And one peek inside our younger daughter’s room, decorated in true Hufflepuff fashion, will reveal I am not the only member of this household who easily becomes obsessed.

But I am one of only two members of this household legally old enough to purchase and/or consume alcohol, and I am the only one who refused to drink alcohol until well into my college years—even as my high school classmates would try to get me to join them in beer drinking as we stayed in hotels for Youth in Government or Model UN—because I was very wary of my obsessive nature. I was well aware how often I could not simply enjoy something—I had to fully absorb it into my life.

Indeed, once I did finally sample that first Molson Golden in the converted basement seminar room I shared with two other Elis sophomore year, I liked it far more than I would have anticipated from sampling my father’s watered-down beer at various sporting events. Age prevented me from drinking too much, though, until I turned 21 early in my senior year. On my birthday, those same off-campus roommates took me to a local eatery called Gentree. An utter novice at drinking anything other than beer, I had no clue what to order; the gin and tonic I settled upon did nothing for me. Shortly thereafter, after a brief flirtation with Martini and Rossi (I still do not know how that bottle appeared in our apartment), I tried my first Scotch whisky.

It was love at first sip.

Over the next few years, I never drank enough for anyone to become, you know, concerned, but I did feel like I needed to have a glass of J&B or Cutty Sark with soda water—usually lemon Polar Seltzer—every day. When a close friend came to visit me in the Boston suburb of Somerville in January 1992, he presented me with a bottle of Glenfiddich—one of the better single-malt Scotches—and it was like having a revelation within a revelation, as this photograph from that night depicts.

Glenfiddich Jan 1992.jpg

This photograph reminds me I spent the 1990s and a significant chunk of the following decade living in turtlenecks—of all colors—because I decided one day while getting my hair cut, I liked the way the white cloth band looked around my neck. You know, the one hair stylists use to keep freshly-cut hair from dropping inside your shirt.

Eventually, I settled on Johnnie Walker Black (light rocks, club soda on the side[2]) as my primary poison—though I also developed a taste for a port wine called Fonseca Bin 27. Between 1991 and 1993, I spent way too much time at the bar of an terrific restaurant called Christopher’s. In 2005, I used old credit card receipts, which I had stuffed into a desk drawer for years, to calculate I spent $1,939.23 there (roughly $3,500 in 2019) in just those three years—and that sum excludes cash payments. Apparently, a hallmark of being both obsessive and a math geek is the construction of Microsoft Excel spreadsheets to calculate inconsequential values.

It would be another 10 years before I worked Scotch into my emerging Friday night bath ritual—the one with the curated music and the darkness and the single large pine-scented candle from L.L. Bean and the lavender milk bath stuff and the way I would turn off every light before walking into the candle-lit bathroom with my full tumbler of Johnnie Walker Black, or 10-year-old Laphroaig on special occasions. Ahh, that delectably peaty aroma…

More recently, Nell and I moved away from beer and whisky, respectively, toward red wine, going so far as to join Wine of the Month Club. Well, I also developed a taste for rye whisky, be it neat, mixed with ginger ale or in an Old Fashioned.

The point of this borderline-dipsomaniac history is that my high school instincts about my obsessive nature were remarkably close to the mark. Prior to being diagnosed with depression, I self-medicated with alcohol far more than I ever wanted to admit to myself. Perhaps not coincidentally, I recently cut my alcohol consumption down to almost nothing, though my stated reason is the toll it was taking on my sinuses, which have had more than enough trouble already.[3]

**********

Family lore holds I learned to read at the age of 2½, which my elementary school educator wife tells me is physiologically impossible. Whenever it was, by the time I was eight or so, I had already amassed a solid library of books.

And then I learned about the Dewey Decimal System.

With that, it no longer sufficed to organize my books alphabetically by subject or author or title, or even to use the Library of Congress classification system. No, I had to Dewey-Decimalize them, which meant going to Ludington Library, where I spent a great deal of my childhood and teenage years, to photocopy page after page of classification numbers. I still have a few books from those days, penciled numbers in my childish handwriting on the first page just inside the cover. I even briefly ran an actual lending library out of my ground-floor playroom—the one rebuilt after the fire of March 1973.

Meanwhile, my mother, our Keeshond Luvey and I spent the summers of 1974 and 1975 living in the “penthouse” of the Strand Motel in Atlantic City, NJ; my father would make the 60-mile drive southeast from Havertown, PA most weekends. In those years, the roughly 2½ miles of Pacific Avenue between Albany and New Hampshire Avenues were dotted with cheap motels and past-their-time hotels. The Strand was one of the better motels, with a decent Italian restaurant just off the lobby, dimly lit with its semi-circular booths upholstered in blood-red leather; I drank many a Shirley Temple over plates of spaghetti there. In that lobby, as in every lobby of every motel and hotel along the strip, was a large wooden rack containing copies of a few dozen pamphlets advertising local attractions.

At first, I simply took a few pamphlets from the Strand lobby to peruse later. Then I wanted all of them. Then I began to prowl the lobbies—yes, at seven, eight years old I rode the jitney by myself during the day, at just 35¢ a ride—of every motel and hotel along Pacific Avenue, and a few along Atlantic Avenue one block northwest, collecting every pamphlet I could find. They were all tossed into a cardboard box; when the winter felt like it was lasting too long, I would dump the box out on my parents’ bed and reminisce.

In the year after that second summer, I became attuned to pop music, leaving Philadelphia’s premiere Top 40 radio station, WIFI 92.5 FM, on in my bedroom for hours at a time, while I did homework, read or worked diligently on…projects.

Back in 1973, my parents had bought me a World Book Encyclopedia set, complete with the largest dictionaries I had ever seen. The W-Z volume had a comprehensive timeline of key events in world history. Late in 1976, I received a copy of the 1977 World Almanac and Book of Facts, which also had a comprehensive timeline of key events in world history. And I soon noticed some events were on one timeline but not the other.

Thus, in February 1977, with WIFI 92 as my personal soundtrack, I began to write out a collated timeline, drawing from both sources. Thirty-six lined notebook pages hand-written in pencil later, I had only gotten as far as June 30, 1841—so I decided to slap a red construction paper cover on it and call it Volume I.

Important Events and Dates.JPG

I assigned it Dewey Decimal value 909.

You could say I came to my senses—or I bought a copy of the astounding Encyclopedia of World History—because I never did “publish” a Volume II. In April 1978,[4] however, I wrote a similarly non-knowledge-advancing booklet—no cool cover this time—called 474 PREFIXES, ROOTS AND SUFFIXES. This volume, assigned Dewey Decimal number 423, was only 10 pages long, despite being more comprehensive.

**********

Even before I immersed myself in hours of 1970s Top 40 radio, I had heard bits and pieces of New Year’s Eve countdowns of the year’s top songs. The first one I remember hearing was at the end of 1974, because I heard Elton John’s “Bennie and the Jets,” which topped the Billboard Hot 100 in April 1974—though I could be mixing it up with John’s “Goodbye Yellow Brick Road,” released as a single the previous year.

In January 1980, Solid Gold debuted with a two-hour special counting down the top 50 songs of 1979. I was particularly curious to know the ranking of my favorite song at the time, Fleetwood Mac’s “Tusk;” if memory serves, it led off the show at #50. A few days earlier, my cousins and I had listened in the house we then shared to WIFI-92’s top 100 songs of 1979 countdown.

I was vaguely aware there were weekly magazines that tracked top songs and albums, but I did not buy a copy of Cashbox until late April 1980.[5] My Scotch whisky revelation nearly eight years later was a mere passing fancy compared to this slender combination of music and data. I pored over its charts for hours, even calling my best friend to all but read the singles and album charts to him; utterly disinterested, he was nonetheless very patient with my exuberance. That fall, I noticed that every Saturday, the Philadelphia Bulletin published that week’s Billboard top 10 singles, albums—and two other categories, possibly country and soul. Reading these charts—literally covering them with a napkin which I slid up to uncover each song/album from #10 to #1—became a staple ritual of my regular Saturday morning brunch with my father, from whom my mother had separated in March 1977. Not satisfied with reading them, I clipped each set of charts so I could create my own rankings along the lines of “top songs, September 1980 to March 1981.”

On December 31, 1980 and January 1, 1981, I heard two radio stations present their “Top 100 of 1980” countdowns. I listened to the first one with my cousins in my maternal grandmother’s apartment in Lancaster, PA; my mother and her sister were also there. The second one my mother and I heard in the car driving home, although we lost the signal halfway through the countdown; I still was able to hear one of my favorite songs then: “More Love” by Kim Carnes. The following weekend, I found a paper copy of yet another 1980 countdown while visiting the Neshaminy Mall with my mother and severely mentally-impaired sister, who lives near there. It was probably there I also found Billboard’s yearend edition, which I purchased—or my mother purchased for me.

After a delirious week perusing its contents, I obtained a copy of the first official weekly Billboard of 1981, for the week ending January 10—albeit released Tuesday, January 6. One week later, I bought the January 17 edition, then the January 24 edition, then the January 31 edition. In fact, I bought every single issue of Billboard for the next seven-plus years, ritualistically digesting its charts using the same uncovering method as the charts published in the Bulletin. I brought each issue to school with me, where my friends and I would pore over its contents during lunch period. Later, I happily scrutinized airplay charts from a selection of Top 40 radio stations across the country—I underlined particular favorites—while waiting to make deliveries for Boardwalk Pizza and Subs in the spring and summer of 1984.

On the few occasions I did not have the $4 purchase price, I sold an album or two to Plastic Fantastic, then located on Lancaster Avenue in Bryn Mawr, PA, to make up the difference; this was after cajoling my mother to drive me to the excellent newspaper and magazine store which then stood a short walk down Lancaster Avenue from Plastic Fantastic. While new issues of Billboard were released every Tuesday, in 1981 and 1982, I would have heard the new week’s Top 40 singles counted down the previous Sunday night on the American Top 40 radio program, then hosted by Casey Kasem.

Sometime in 1981, I began to compile weekly lists of the Top 10 groups, male artists and female artists…so it is not all surprising that over winter break from my sophomore year of high school, I calculated my own “Top 100 of 1981” lists. In the days prior to Excel, this meant I gathered all 51 weekly issues (the final chart of the year freezes for a week) into what I would later call a “mountain of Billboards” on the floor of my bedroom—sometimes the mountain would migrate into the living room—and tally every single and album that had appeared in the top 10 on blank sheets of paper, using acronyms to save my hands from cramping. I used a combination of highest chart position, weeks at that position, total weeks on the chart, and weeks topping such charts as Adult Contemporary, Rock, Country and Soul to generate my rankings. There would always be fewer than 100 singles or albums entering the top 10 in any given year so I would then move into the top 20 for singles and top 30 for albums. I had ways—long since forgotten—of adding up an artist’s singles and albums “points,” allowing me to produce an overall top 100 artist countdown.

Digging into my record collection, and pestering friends for whatever tracks they had, on January 1, 1982, I sat in my bedroom with my cousin and DJ’d my first Top 100 countdown, using a snippet of “Lucifer” by Alan Parsons Project for “commercial breaks.”

That first year, I stuck to the primary charts, but ambition seized me over the next few years, and I began to contemplate creating sub-generic lists; I would usually run out of steam after a week or so, however.  Fueling this obsessive data compiling were large navy mugs filled with a mixture of black coffee and eggnog. Even after enrolling at Yale in September 1984,[6] I would look forward to arriving back in our Penn Valley, PA apartment so I could dive into Billboard mountain and immerse myself in that year’s charts. I would come up for air to visit with family and friends, of course, but then it was right back into the pile, MTV playing on my bedroom television set.

Over the years, I never threw any issues away, which meant schlepping them with me on the Amtrak train from New Haven, CT to Philadelphia; my poor mother had to move giant piles of them twice, in 1986 (~275 issues) and 1987 (~325). They were a bit lighter then because I had gotten into the habit of taping some of the beautiful full-page ads depicting covers of albums being promoted that week. It started with Icehouse by Icehouse, then Asia by Asia; when my mother moved from our Penn Valley apartment, I had taped up a line of pages running nearly halfway around the walls of my bedroom.

Then, one week in September 1988, I did not buy the new edition of Billboard. Most likely, my musical tastes were shifting after I discovered alternative-rock station WHFS. Another explanation is that election data had been slowly replacing music chart data over the past four years. Moreover, I had landed on a new obsession: baseball, specifically the Philadelphia Phillies. Whatever the reason, I have not bought a Billboard since then, though I still have two Joel-Whitburn-compiled books from the late 1980s.

Besides the Phillies and American politics, I have had a wide range of obsessions since then, most recently film noir, Doctor Who, David Lynch/Twin Peaks and, of course, Stranger Things. My obsession with Charlie Chan is old news. But none of these had quite the immersive allure those piles of Billboards had in the 1980s.

Alas, my mother finally threw out all of them in the 1990s. While I wish she had at least saved the eight yearend issues, perhaps it is all for the best. Did I mention a college girlfriend once broke up with me—on Valentine’s Day no less—because I alphabetized my collection of button-down Oxford shirts by color, solids to the left of stripes?

Until next time…

[1] Nell reminds me that at some point in the year before our October 2007 wedding, she came into the bathroom while I was counting down. She apparently interrupted me because I told her, “Now I have to start again!”

[2] For reasons long since forgotten, I switched to Jack Daniels—bourbon—for a few years around 2000. I must have talked a lot about that being my default adult beverage order, because on a first date in December 2000, my soon-to-be girlfriend (my last serious relationship before Nell, for those keeping score at home) waited expectantly for me to ask for “that thing you always order.”

[3] I have long joked that if my upper respiratory system were a building, it would have been condemned decades earlier. In October 2011, I finally had surgery to repair a deviated septum and remove nasal polyps. I may still snore, but it longer sounds like I am about to stop breathing.

[4] April 19, to be exact

[5] I remember “Rock Lobster” by The B-52’s being listed, which narrows the editions to April 19 and April 26.

[6] I was so obsessed with Billboard, I actually suggested I analyze its charts for a data analysis course I took my sophomore year. Not surprisingly, that was a non-starter with the professor.

Stranger Things…about me?

Let us start with the easy one.

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But first, if you have not watched—and still plan to watch—all 25 episodes of the gobsmackingly-excellent Stranger Things, then I strongly advise you not to read further until after you have done so.

**********

In Episode 2 of Season 2, “Trick or Treat, Freak”, Nancy Wheeler (Natalia Dyer) invites Jonathan Byers (Charlie Heaton) to come to “Tina’s party” on Halloween with her and her boyfriend Steve Harrington (Joe Keery). The introverted Jonathan demurs, noting he has to keep an eye on his younger brother Will (Noah Schnapp) while he trick-or-treats with his friends.

Nancy, brushing past this transparent deflection, notes he would still be home fairly early in the evening, at which point he will simply “read Kurt Vonnegut while listening to the Talking Heads.” Jonathan ultimately attends the party, allowing him to be on site to drive a very drunk Nancy home after she effectively dumps Steve and sets a new record for use of the word “bullshit.”

The episode takes place over the last days of October 1984, when I was a freshman at Yale. This makes me one year older than Steve, two years older than Nancy and Jonathan, and five years older than Will and his friends; I am roughly Jonathan’s age. And it was in the spring and summer of 1984 that I read the only three Vonnegut novels I have ever read: Breakfast of Champions, Cat’s Cradle and Deadeye Dick. Moreover, back then I listened to a lot of Talking Heads—there is no “the”—even seeing them live in the summers of 1983 and 1984. That July, when I created a two-cassette mixcalled “Interstate Survival,” two Talking Heads tracks made the cut: “Take Me to the River” and “Stay Hungry” (one of my 25 favorite tracks of all time), both from the excellent More Songs About Buildings and Food album. That November, I created another two-cassette mix called “Paxton Mix,” the last name of my then-girlfriend. Making the cut were not only the two aforementioned Talking Heads tracks, but also the live version of “Once in a Lifetime” from the recently released Stop Making Sense soundtrack, “I Get Wild/Wild Gravity” from Speaking in Tongues and “Artists Only,” the latter also from More Songs.

So, when Nancy told Jonathan he would just “read Kurt Vonnegut and listen to the Talking Heads,” she could easily have been talking to me. And while this is the most obvious way in which I strongly identify with some aspect of Stranger Things, it is not the most important.

Not by a long shot.

**********

I previously noted my contrarian resistance to watching, reading or listening to something simply because it is popular. I prefer to discover cultural works for myself—though I must admit the only reason I started reading Vonnegut is because my closest friend at the time suggested it.

This is why I did not watch any episodes of Stranger Things until this past October, My wife Nell and I started watching the show almost on a lark—but we were permanently hooked once the cold open of Episode 1 of Season 1, “The Disappearance of Will Byers” faded into the now-iconic theme music. And over the next five or six weekends—weeknights are reserved for MSNBC—we eagerly watched all 25 episodes.

Nell and I reveled in the show’s obvious literary and cinematic homages, most notably Stephen King[1] and Steven Spielberg—the first season is basically E.T. the Terrestrial meets Firestarter; it is merely a coincidence both films star Drew Barrymore. We spent Season 2 debating whether to trust Paul Reiser’s Dr. Sam Owens, the new director of Hawkins Lab. Nell had seen him in Aliens, a clear influence on the season, so she did not trust him at all; I have not seen Aliens. His redemptive arc is a season highlight; Nell conceded I had been right—or, at least, lucky.

Bringing my own cultural influences to our viewing, I detected the perhaps-unconscious influence of David Lynch, particularly in the pulses of electricity and flashing lights which signal the presence of the show’s various monsters from the “Upside Down.” The scene in Episode 6 of Season 3, “E Pluribus Unum,” when first Jim Hopper (David Harbour) then Joyce Byers (Winona Ryder) try to call Dr. Owens, only to reach a man sitting in front of four yellow telephones who answers “Philadelphia Public Library” could have come from Mulholland Drive, while in Twin Peaks, Special Agent Dale Cooper and three fellow agents work out of the Philadelphia office of the Federal Bureau of Investigation (FBI).

After watching all 25 episodes—and I am 50/50 whether “the American” is Hopper, though I believe he did not die when Joyce blew up “The Key”—we debated whether to let our almost-10 and almost-12 daughters—watch the series. The show’s youngest characters—Eleven (“El,” Millie Bobby Brown), Will, Mike Wheeler (Finn Wolfhard), Dustin Henderson (Gaten Matarazzo), Lucas Sinclair (Caleb McLaughlin) and, as of Season 2, Maxine “Max” Mayfield (Sadie Sink)—are 12 years old at the start of the series, which takes place in November 1983. This helped us to decide they could at least watch the first two seasons, which are not nearly as over-the-top gory and, frankly, ridiculous as Season 3; I agree with Jonathan when he asks Nancy, “What part of any of this makes sense?”[2] Or with Steve’s perplexed look as he confirms the giant fleshy spider thing that wants to kill El is a machine made not from metal and screws, but from melted people.[3]

We feel your pain, Steve.

To be fair, a moment early in Season 3 cautions viewers not to take the season too seriously. Early in Episode 1, “Suzie, Do You Copy?”, Steve, now working at Scoops Ahoy in the new Starcourt Mall, lets Will, Mike, Lucas and Max sneak into the mall’s movie theater to watch Day of the Dead, which is a pure “popcorn movie.”

Actually, Season 3 is not so much bad as it is analogous to an album with one or two truly incredible tracks and a lot of mediocre, or worse, filler. If Seasons 1 and 2 are The Cars and Candy-O, then Season 3 is Panorama; not bad, but nowhere as absurdly good as the first two albums by The Cars. The incredible tracks are the evolving relationships between the show’s characters[4]—especially the classic boyfriend-girlfriend-BFF triangle that forms between Mike, El, and Max; after all, it is Max that feeds El the immortal words “I dump your ass.”[5]  Our eldest daughter wholeheartedly agrees, as she has just begun to pay attention to boys as BOYS. While both girls fell in love with the show as quickly as Nell and I did, it was the older one, after seeing El and Mike finally attend the Snowball Dance together[6]—then have one of television’s great kisses as they slow-danced—who stood up and did the cookie dance. Which is apparently something she saw on LankyBox.

To be fair, we had literally just watched six episodes in a row, wrapping up Season 2. We all should have gotten up to dance.

This also explains their gifts for the first night of Chanukah. El is supposed to have a blue barrette, but it accidentally got knocked off her head and needs to be glued back on.

Eleven and Mike FunkoPop

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I first started seeing a psychotherapist when I was 11 or 12 years old, after what I laughably call a suicide attempt: I mashed a bunch of random pills into a wooden salad bowl, poured in some grape soda, took one or two tentative sips—and left the bowl for my mother to find while I attended Hebrew School. That lasted a little over one year. Then, during my junior year of high school, a B in trigonometry on semester—among other far more serious things—led me to decide to swallow 32 Contac decongestant pills. After three days of torment in which nothing happened to me physiologically, I broke down and told my mother what I had done. This led to psychotherapy round two, which lasted only a few months. On the evening of January 20, 1989, I was struck by a speeding car as I crossed 16th Street in the Washington, DC neighborhood of Adams Morgan; having just watched the inauguration of President George Herbert Walker Bush, my first thought was “so much for kinder and gentler.” As part of my healing process—and because insurance covered it—I started my third round of psychotherapy; this lasted until I moved to Philadelphia four months later. Finally, for all of the reasons I list in the Introduction to the book I am writing, I started seeing my fourth psychotherapist in the summer of 2016.

A few weeks ago, I did something in therapy I had never done before.

I cried.

I was trying to describe the closing scene of Episode 7 of Season 2, “The Lost Sister,” and I could not get the words out of my mouth.

Just bear with me while I explain. Three episodes earlier, El, while cleaning the cabin she shares in secret with Hopper, discovers a box containing his research into children possibly kidnapped so their psionic abilities could be tested by Dr. Martin Brenner (Matthew Modine) in Hawkins Lab. Realizing Hopper lied when he said his mother had died, she runs away to find her, using her ability to locate someone from a photograph. In so doing, she discovers she had a kind of “sister” in Hawkins Lab—numbered 008, just as Jane (her real name) was numbered 011. El runs away again to find Kali (Linnea Berthelsen), what 008 now calls herself, in Chicago, where she and four societal outcasts live in an abandoned warehouse and hunt down what El calls the “bad men” from Hawkins Lab. Kali does her best to get El to join their quest to kill their former torturers, but El, after “seeing” the two people she most loves—Hopper and Mike—are in serious danger, decides to return to Hawkins (a fictional Indiana town) to help.

In a moment of crystalline clarity, El realizes that while “her policeman” (Hopper is Hawkins Chief of Police) may not be able to save her, she can save Hopper, Mike and the rest of her newfound friends. In the process, we have cycled through a series of places labeled El’s “home”: the cabin she shares with Hopper, the house belonging to her now-catatonic mother Terry (Aimee Mullins) and her sister Becky (Amy Siemetz), and wherever Kali and her crew happen to be squatting.

In one of the most haunting sequences of the entire series. Kali’s stricken face looking through a van window morphs into El’s forlorn face looking through a window of the bus taking her back to Hawkins. An older black woman (Avis-Marie Barnes), seeing a young girl traveling alone, kindly sits with her. When she asks El where she is going, the latter softly responds, “I’m going to my friends. I’m going home.”

These were the words I struggled to articulate through my tears.

I am still trying to understand why that particular moment turned a show I greatly enjoyed into something far deeper and richer, something resonating with me the way only the most compelling works of art do.

Yes, I was thrilled for El that, after “living” in Hawkins Lab for 12 years, she was fortunate enough to find Mike, Dustin and Lucas within 24 hours of escaping. Or as our wise younger daughter said while watching an early episode, “Mike is taking such good care of El!”

Yes, I spent the 1980s between the ages of 13 and 23, so there is a powerful element of bittersweet nostalgia in Stranger Things for me—and for Nell as well.

Yes, I was…well, not quite a nerd like the Dungeons-and-Dragons playing Mike, Dustin, Lucas and Will, but certainly President of the Math Team and in no way athletic—with the odd exception of gymnastics, in which I did well.

Yes, I attended brutally awkward dances called “mixers” in 7th and 8th grade, though unlike Mike and Lucas I did not slow dance with the girl I “liked” and share a romantic smooch. I did not have my first girlfriend until 10th grade, when I also had my first kiss.

Yes, just as the four boys form “The Party,” two other friends and I started the short-lived Bibliophiles and Explorers Club in 6th grade, while in 8th grade, the six of us who every lunch sat at the same places at the same cafeteria table decided to secede from said cafeteria to form The State of Confusion. We drafted a constitution, elected a “dictator” every week whose only power was to mouth off at anyone he chose (again, all boys), and wrote a letter to then-Secretary-of-State Ed Muskie requesting foreign aid in the form of the total cost of six school lunches. We never did hear back from Secretary Muskie.

All of those identifications and connections are true…but it was something about being 13 years old and “going home” that hit me. I have two possible, if ultimately unsatisfying explanations.

First, three years ago I began to search for my genetic family, so I strongly identify with someone searching for her/his “true” family. Like El, while I met some goof people, I quickly realized my “true” family was the one I was with all along. Just as El was incredibly lucky to happen upon the boys after escaping from Hawkins Lab, I was just as lucky Lou and Elaine Berger adopted me, sight unseen, in the summer of 1966.

Second, I lived in a comfortable split-level house in the Philadelphia suburb of Havertown until my parents separated in March 1977, when I was 10 years old. My mother and I then moved three times in three years, and I enrolled in a new school district twice. After the second moves, we lived in somebody else’s house for a year. Four years after the third move, I went to college, then lived in DC and the Philadelphia suburbs for a year before moving to suburban Boston in September 1989. Over the next 18 years, I lived in seven different apartments before marrying Nell and settling into a suburban Boston apartment with her; we lived there 11 years. By then, however, my father and mother had long since died, and whatever tenuous “home” I had in the Philadelphia suburbs of my youth went with them.

I thus have not been able to go “home” in a very real sense since I was 10 years old—or maybe not since college, when my mother moved out of the apartment we shared while I attended high school. And while I very much have a home now with Nell and our daughters, that is my adult home; my childhood home is long gone.[7]

These explanations are part of why I broke down in tears at that scene, but they only scratch the surface.

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That is not the only scene to induce waterworks, even granting my heartstrings are easily pulled, particularly by father-son stuff, broadly speaking.

At the end of Episode 8 of Season 2, “The Mind Flayer,” continuing into the start of the next episode, “The Gate,” we finally get the reunion, after “353 days…I heard,” between El and Mike, inter alia. It is then Mike realizes that Hopper—with the (mostly) best of intentions—has been “protecting her.”

Actually, let us back up one second to revisit one of the most badass entrances in television history.

Following the tearful embrace of Mike and El is an explosion of emotion, as the former—simultaneously irate, relieved and extremely hormonal—literally pummels a remarkably patient Hopper while shouting “I don’t blame her, I blame you!“ and “Nothing about this is OK!” His screams of impotent young teenage rage quickly fade into the uncontrolled sobs of a boy, however, as he collapses into Hopper’s arms, the latter soothing and comforting Mike with “You’re OK…I’m sorry.”

This is one of a handful of scenes I regularly revisit, primarily because it is the perfect encapsulation of the boy both angry at, and requiring comfort from, a father figure. That Hopper later formally adopts El, making the former Mike’s girlfriend’s father—a very different form of fraught relationship—is less relevant here.

More to the point, however, it distills into one nearly-flawless scene a moment I needed to have with my father at some point, but never did.

As I said, my parents separated on March 2, 1977. I knew it was coming; my mother and I had been poring over apartment floor plans for weeks. Nonetheless, the night before the separation, my father did something he had never done before: he sat down at our kitchen table to type a school assignment for me, a two-page report I had written on George Gershwin for my 5th grade music class.

When he had finished, he set the papers aside and asked me if I knew what was happening tomorrow. Yes, I said. But before I even had the chance to yell at him that “I don’t blame her, I blame you,” he did something else I had never seen him do before.

He started to cry.

Which meant I started to comfort my distraught father, rather than the other way around. How could I be angry or sad at a man so obviously broken?

And this was not the last time I had to play comforting adult to an actual adult. My ex-Philly-cop grandfather once accidentally spilled steaming hot tomato soup down my chest; despite the pain, however, I ended up assuring my shattered grandfather I was fine. Meanwhile, I was 15 when my father died from his third heart attack, but after a short night of grieving, I was helping to take care of his girlfriend as we sat shiva; to my mother’s credit, she hosted the shiva despite her divorce being finalized seven months earlier. Finally, given that my mother spent so much time caring for her only natural child, a severely mentally disabled daughter—why I was adopted in the first place—there was little space in my childhood for that sort of cathartic outburst.

It is thus only natural that watching Mike absolutely unload on Hopper only to be folded into his arms in comfort provided a kind of catharsis by proxy. This works well as a first approximation to why I am so deeply moved by that scene.

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There are other scenes that provoke a similarly emotional reaction—again, that is what compelling art is supposed to do—including…

  • El reading Hopper’s undelivered speech, with Hopper—presumed to be dead—narrating over shots of the Byers family moving out of their house, taking El with them: Joyce-the-mother replacing Hopper-the-father.
  • Mike’s charming fumbling attempt to ask El to go to the Snowball with him, using a furtive kiss to replace the words he cannot speak. El’s small surprised smile of delight is a masterclass in facial acting.[8]
  • Mike and El saying the awkward goodbyes of teenagers just before reading Hopper’s speech, with El screwing up the courage to tell Mike, “I love you too.” (I would not hear a girl say that to me—if memory, that devious trickster, serves—until my freshman year at Yale).

But I will close with one of the most beautiful scenes I have ever seen on television: Hopper driving El to Hawkins Lab to close “the gate” just after El is reunited with her friends. As filmed, it is just a “father” and a “daughter” talking, quietly but with purpose, just as I have done hundreds of times with my own daughters, with the caveat neither daughter is telekinetic or has extrasensory perception, nor have I ever referred to myself as “a black hole.” The father sets aside his anger—mostly at himself—simply to listen. And in a gut-punch moment, we realize that in the year Hopper has taken care of El, he never told her about his own daughter Sara, whose untimely death from what we think is leukemia ended his marriage, drove him into alcohol and drug abuse, and sent him back to Hawkins from what we think is New York City. I love my wife and daughters, and I cannot fathom losing any of them. Meanwhile, the closest my father ever came to that level of honest self-awareness with me was the night before he separated from my mother—though even then he never truly took responsibility for it.[9]

But for all Hopper shows us how broken he really is (setting up his slow-burn breakdown in Season 3), El—who also admits having been “stupid” (“It sounds like we both broke our rule,” admonishes Hopper gently) by running away to her mother and Chicago—simply takes his hand in forgiveness.

Cue the waterworks—as a father of daughters, as the child of a father, as someone with no patience for cynicism and prevarication.

By the way, did I mention that Mike looks a LOT like me as a boy, sans braces, while El looks a good deal like Nell to me, except with brown hair?

Until next time…

[1] Nell has read everything Stephen King has ever written.

[2] Episode 5 of Season 3, “The Flayed”

[3] Episode 8 of Season 3, “The Battle of Starcourt”

[4] The awful tracks would be both the excessive gore and the glaring plot holes, such as 1) how the music from the Indiana Flyer could have been recorded over the transmission of the Russian code, 2) how the Russians knew anything at all about “the gate” having been opened in Hawkins Lab by El in November 1983—but were still trying to open their own gate eight months later, 3) how the Russians knew about “the gate” but not about what horrors lay behind that gate, and 4) why El refers back to Mike’s inadvertent admission he loves her but NOT to Mike’s charmingly inept attempt to tell her directly in the grocery store.

[5] Episode 2 of Season 3, “The Mall Rats”

[6] Episode 9 of Season 2: “The Gate”

[7] The house is still there, and I drive past it once a year or so, but the point stands.

[8] This was the first kiss in the lives of both actors as well, I have been told. Curiously, while I had my first romantic kiss at 15, the first time I kissed a girl in a remotely romantic way was also while “acting.” At the end of a 3rd grade play about the relative importance of intelligence and luck, Mr. Intelligence (yours truly) kisses Miss Luck (a female classmate whose name I sadly forget). As our eldest daughter would say, “so cringe.”

[9] Suffice to say my father liked to play cards and visit the racetrack.

A Surrealist Epic Post-Thanksgiving Poem

Since we first started hosting Thanksgiving dinner in, I believe, 2012, I have been responsible for the epic cleanup. As with all good rituals, it started as a one-off: I put Nell and the girls to bed and said good night to the last of our guests to leave with the understanding I would finish cleaning the living/dining room and kitchen.

This meant two things.

One, pulling out my portable CD player and earbuds and four older CD mixes. Forget whistling while you work: there was full on singing and dancing. Cavorting, even.

Two, it was not enough simply to run the dishwasher, make things passably tidy and leave the rest until morning. No, I had to restore the living/dining to its pre-meal state, which included moving furniture to its normal location; wash, dry and put away every single pot, dish and piece of flatware; store every leftover; and clean (within reason—I could not run a dust buster or vacuum cleaner) the two rooms, including taking out the garbage and recycling.

If memory serves, that first cleanup took about three-and-a-half hours, with dazzling results; if there is such a thing as kinetic zen, this is it.

And a ritual was born.

In preparation for Thanksgiving 2019, I curated a playlist of 55 tracks totaling 3 hours and 50 minutes on my classic flywheel iPod. I usually make the playlist a bit too long, finding myself wandering around listening to the last few tracks, but this year I actually had to restart the mix, playing the first two tracks again while I took out the garbage and recycling.

Darn, what a shame.

To honor this mix, of which I am quite proud, I decided to create a surrealist epic poem consisting of representative (read: the ones I most enjoy singing) lyrics from each track in sequence. As three tracks are instrumentals, two serve as overtures to the two parts of the poem, and one introduces the dramatic conclusion.[1]

It is no secret I have eclectic taste in music, though given my recent obsession with Stranger Things (after enjoying David Harbour as the guest host on Saturday Night Live on October 12, 2019, Nell and I watched all 25 episodes in seven weeks), there is a heavy emphasis on the generic classifications of “New Wave” (11 tracks), “Post-Punk” (4) and “Synthpop” (3); seven other tracks could easily be classified under this rubric as well, for a total of 25. Moreover, 30 tracks were released between 1980 and 1989; the show is set in 1983-85 (11 tracks). That said, eight tracks from the 1970s fall into a broad Soul/R&B/Funk/Disco category, six other tracks from that decade fall into a broad folk rock/singer-songwriter/soft rock category. Finally, four of the seven tracks released between 1990 and 2016 fall into a grunge/Alternative Rock category, two are from movie/television soundtracks and, last but far from least, is the joyous Americana of “Square Glass in the Wall” by the Four Legged Faithful.

Given the inherent spirit of randomness masquerading as creativity, I illustrate this epic poem with our eldest daughter’s unnamed creation from November 28, 2014, the day AFTER Thanksgiving that year.

IMG_1455.JPG

**********

Part 1

Overture: Theme from Stranger Things by Kyle Dixon and Michael Stein

 

Well lately

You look around

You’re wondering what you’re doing

Yeah lately

You look around

You’re wondering what you’re seeing

What you’re doing.

 

I know you

Were expecting a one-night stand

When I refused

I knew you wouldn’t understand

I told you twice

I was only trying to be nice

Only trying to be nice

Ooh, I didn’t mean to turn you on.

 

So grab your friends, get the train comin’ through

Climb on board, where you leave’s up to you

Leave your worries behind

‘Cause rain, shine, don’t mind

We’re ridin’ on the groove line tonight.

 

Ohh, if I had my wits about me now

About me now

I would tear across the waterway somehow

Oh somehow

The body has never turned its back on me this way

Dare I say

Something was wrong.

 

The wild dogs cry out in the night

As they grow restless, longing for some solitary company

I know that I must do what’s right

As sure as Kilimanjaro rises like Olympus above the Serengeti

I seek to cure what’s deep inside, frightened of this thing that I’ve become.

 

Every day, every night

In that all old familiar light

You hang up when I call you at home

And I try to get through

Ant I try to talk to you

But there’s something stopping me from getting through.

 

Nothing lasts forever

Of that I’m sure

Now you’ve made an offer

I’ll take some more

Young loving may be

Oh so mean

Will I still survive

The same old scene?

 

We must play our lives like soldiers in the field

The life is short

I’m running faster all the time

Strength and beauty destined to decay

So cut the rose in full bloom

‘Til the fearless come and the act is done

A love like blood

A love like blood.

 

And I was here to please

I’m even on my knees

Makin’ love to whoever I please

I gotta do it my way

Or no way at all.

 

Come doused in mud, soaked in bleach

As I want you to be

As a trend, as a friend

As an old

Memoria, memoria

Memoria, memoria

And I swear that I don’t have a gun

No I don’t have a gun.

 

The body’s weak, the shadow’s strong

Walk through the fire

Through the dust and ashes

While the building crashes

Walk through the flame

Lion show no sign of fear.

 

I find myself on canvas

I find myself on stage

Can you see me?

Are you near me?

And I long to know you’re real

And I long for you to be a part of me

I long to know you’re real

And I long for you to be a part of me.

 

I might like you better if we slept together

But there’s something in your eyes

That says maybe

That’s never

Never say never.

 

This old town’s changed so much

Don’t feel that I belong

Too many protest singers, not enough protest songs

And now you’ve come along, yes, you’ve come along

And I never met a girl like you before.

 

Politician’s promises

Have made all of us doubting Thomas’

And as we all adjust our confidence

Still in you I trust

In you I trust

In you I must

I trust you more each day

You seem to mean exactly what you say

Friend and lover, lovely friend.

 

Like the fool I am and I’ll always be

I’ve got a dream, I’ve got a dream

They can change their minds but they can’t change me

I’ve got a dream, I’ve got a dream

Oh, I know I could share it if you want me to

If you’re goin’ my way, I’ll go with you.

 

Get around town, get around town

Where the people look good, where the music is loud

Get around town, no need to stand proud

Add your voice to the sound of the crowd.

 

Where are you going now, my love

Where will you be tomorrow?

Will you bring me happiness?

Will you bring me sorrow?

Oh, the questions of a thousand dreams

What you do with what you see

Lover, can you talk to me?

 

But no matter where the days have left you

Every day ends at the street café

The street café

And no matter where the road may take you

Every time it brings you back to the street café

Yeah the street café.

 

Get on up, on the floor

‘Cause were gonna boogie oogie oogie

‘Till you just can’t boogie no more

Ah boogie, boogie no more

You can’t boogie no more

Ah boogie, boogie no more

Listen to the music.

 

Don’t talk to me about love

(yesterdays shatter, tomorrows don’t matter)

Don’t talk to me about love

(yesterdays shatter, tomorrows don’t matter)

Don’t talk to me about love

(yesterdays shatter, tomorrows don’t matter).

 

Shadows from the buildings creep along the parking cars

While the women spank their babies and the old men just drink all day in bars

And the people that “never see it” always end up as the ones who’ve seen it all

And the liquor store is crowded, while an empty phone booth rings another call

And the hills that used to all seem green now look an ugly brown

And no one ever found any movie stars on the stormy side of town.

 

All the love gone bad turned my world to black

Tattooed all I see, all that I am, all I’ll be yeah

Oh oh ooh

I know someday you’ll have a beautiful life

I know you’ll be a star in somebody else’s sky, but why

Why, why can’t it be, oh can’t it be mine?

 

Rough boys

Don’t walk away

I wanna buy you leather

Make noise

Try and talk me away

We can’t be seen together

Tough kids

What can I do?

I’m so pale and weedy.

 

I have waited a lifetime

Spent my time so foolishly

But now that I found you

Together we’ll make history

And I know that it must be the woman in you

That brings out the man in me

I know I can’t help myself

You’re all my eyes can see.

 

Dream on white boy, white boy

Dream on black girl, black girl

And wake up to a brand new day

To find your dreams have washed away.

 

Now the thing that I call livin’ is just bein’ satisfied

With knowin’ I got no one left to blame

Carefree highway, got ta see you my old flame

Carefree highway, you seen better days

The mornin’ after blues from my head down to my shoes

Carefree highway, let me slip away

Slip away on you.

 

So you’re left standing in the corner

You keep your face turned to the wall

A fading dream

A fading memory

A shooting star that had to fall

Mama Mama I keep having nightmares

Mama Mama Mama am I ill?

Mama Mama Mama hold me tighter

Mama Mama do you love me still?

 

Is there something you should tell me?

Is this the time of bliss?

Should I live without you?

I dare not contemplate.

 

Part 2

Overture: Theme from The Shadow by Jerry Goldsmith

 

This is not a horse race where winners beat the time

This is not a funeral with mourners in a line

This is not a sitcom where everything’s alright

This is not a prison with terror through the night

Go… don’t you go

Won’t you stay with me one more day?

 

You don’t pull on Superman’s cape

You don’t spit into the wind

You don’t pull the mask

From that old Lone Ranger

And you don’t mess around with Jim.

 

You function like a dummy with a new ventriloquist

Do you say nothing yourself?

Hanging like a thriller on the final twist

You know you’re getting stuck on the shelf

Come up to me with your “What did you say?”

And I’ll tell you straight in the eye, “Hey!”

D.I.Y.

 

There’ve been times in my life

I’ve been wonderin’ why

Still, somehow I believed we’d always survive

Now, I’m not so sure

You’re waiting here, one good reason to try

But, what more can I say?

What’s left to provide?

 

New cities by the sea

Skyscrapers are winking

Some hills are never seen

The universe expanding

We’re gazing out to sea

Blue dolphins are singing

Minds swim in ecstasy

Clear planet, ever free

Topaz.

 

Feel sunshine sparkle pink and blue

Playgrounds will laugh

If you try to ask

“Is it cool?”

If you arrive and don’t see me

I’m going to be with my baby

I am free, flying in her arms

Over the sea.

 

Ooh, I’m in love, I’m in love

I’m in love, I’m in love

I’m in love

Ooh, I feel love, I feel love

I feel love, I feel love

I feel love.

 

And we would go on as though nothing was wrong

And hide from these days we remained all alone

Staying in the same place, just staying out the time

Touching from a distance

Further all the time.

 

And in the morning when he’s gone

Please don’t sing that sad sad song

I don’t want to hear it

Forget about him

Let him go

It won’t hurt what he don’t know.

 

Dance with the boogie get high

‘Cause boogie nights are always the best in town

Got to keep on dancing

Keep on dancing

Got to keep on dancing

Keep on dancing.

 

Hey Jimmy

They’re calling you back

They want you to come back

And take out the garbage

They want to talk to you

About something

They found in your drawer

Under a Hustler magazine.

 

And just when I think

Everything is in its place

The universe is secure

The whole thing explodes in my face

It’s just another-

It’s just another day…

It’s just another day.

 

I can live without love

If I wanted to in this lonely room

But I don’t want to so I leave it up to you

To wash away my gloom.

 

I tried but could not bring

The best of everything

Too breathless then to wonder

I died a thousand times

Found guilty of no crime

Now everything is thunder.

 

This life I’m living’s getting so hard to feel

Ooh Ooh, I’m missing you

The days are empty and the nights are unreal

Ooh Ooh, I’m missing you.

 

You said you want to reach the sky

So get up

The feeling’s right

And the music’s tight

On the disco nights

Just say you will

Just do what you feel

I’m for real.

 

It’s gotta be a strange twist of fate

Telling me that Heaven can wait

Telling me to get it right this time

Life doesn’t mean a thing

Without the love you bring

Love is what we’ve found

The second time around.

 

In the middle, in the middle, in the middle of a dream

I lost my shirt

I pawned my rings

I’ve done all the dumb things.

 

Oh, all alone, in my bed at night

I grab my pillow and squeeze it tight

I think of you

And I dream of you, all of the time

What am I gonna do?

I want your love.

 

Here’s that rhythm again

Here’s my shoulder blade

Here’s the sound I made

Here’s the picture I saved

Here I am.

 

Ain’t nobody

Loves me better

Makes me happy

Makes me feel this way

Ain’t nobody

Loves me better than you.

 

Shopping Center crazy

I need some fast relief

The boss says, “Boy, you’re lazy”

But I’m just bored beyond belief.

 

[Musical interlude: Theme from The Adventures of Buckaroo Banzai Across the 8th Dimension by Neil Norman]

 

What’s a poor boy to do when he’s fallen in love with you?

Help me make it through the night.

Everything’s gonna’ be alright.

Yeah…

You take me to the top.

Perhaps, just as Jews on Passover spread the reading of the Haggadah across multiple family members and guests, you could use these stanzas to defuse your next fractious gathering. Simply have each person present read a stanza, cycling through everyone until the final one. I expect the utter nonsense of the successive passages will serve as a much- needed distraction.

And, of course, here is the actual playlist:

Stranger Things Kyle Dixon & Michael Stein 2016
Lately INXS 1990
I Didn’t Mean to Turn You On Robert Palmer 1985
The Groove Line Heatwave 1978
Square Glass In The Wall The Four Legged Faithful 2012
Africa Toto 1982
Nowhere Girl B-Movie 1982
Same Old Scene Roxy Music 1980
Love Like Blood Killing Joke 1985
Turn Me Loose Loverboy 1980
Come as You Are Nirvana 1991
Walk Through the Fire Peter Gabriel 1984
Between Something and Nothing The Ocean Blue 1989
Never Say Never Romeo Void 1982
A Girl Like You Edwyn Collins 1994
In You I Trust Rupert Holmes 1979
I Got a Name Jim Croce 1973
The Sound of the Crowd The Human League 1981
Carry On Crosby, Stills, Nash & Young 1970
Street Cafe Icehouse 1982
Boogie Oogie Oogie A Taste of Honey 1978
Don’t Talk To Me About Love Altered Images 1983
Stormy Side of Town Stan Ridgway 1986
Black Pearl Jam 1992
Rough Boys Pete Townshend 1980
Feels Like the First Time Foreigner 1977
Original Sin INXS 1984
Carefree Highway Gordon Lightfoot 1974
Nightmares A Flock of Seagulls 1983
Beyond Doubt Gene Loves Jezebel 1986
The Shadow Jerry Goldsmith 1994
Stay Oingo Boingo 1985
You Don’t Mess Around With Jim Jim Croce 1972
D.I.Y. Peter Gabriel 1978
This Is It Kenny Loggins 1979
Topaz The B-52’s 1989
Strawberry Letter 23 The Brothers Johnson 1977
I Feel Love Donna Summer 1977
Transmission Joy Division 1979
When It’s Over Loverboy 1981
Boogie Nights Heatwave 1976
Jimmy Jimmy Ric Ocasek 1982
Just Another Day Oingo Boingo 1985
Love Or Let Me Be Lonely The Friends of Distinction 1970
Let Me Go Heaven 17 1982
Missing You Dan Fogelberg 1982
Disco Nights (Rock Freak) GQ 1979
Twist of Fate Olivia Newton-John 1983
Dumb Things Paul Kelly and the Messengers 1987
I Want Your Love Chic 1978
Stay Hungry Talking Heads 1978
Ain’t Nobody Rufus & Chaka Khan 1983
Rage In the Cage J. Geils Band, The 1981
The Adventures of Buckaroo Banzai Neil Norman 1984
Take Me to the Top Loverboy 1981

You are welcome.

Until next time…

[1] I am deeply indebted to LyricFind for help in deciphering many of these lyrics.

Always Just What I Needed: Ben Orr, Ric Ocasek and The Cars

I wrote these sentences in my Father’s Day 2019 post.

The 24-hour Howard Johnson’s in Medford was a regular late-night hangout for AC (among others) and me before it closed on December 31, 1998. It got to be a habit that on nights I did laundry in the basement laundry room of our apartment building, AC and I would “go for pie” there afterwards, which generally meant eating a full meal; I developed a particular taste for steak and eggs in those days, usually washed down with one of their orange-sherbet-based drinks. And lots of decaffeinated coffee.

“AC” is my long-term 1990s girlfriend, the one my wife Nell calls, not without reason, my “first wife.”

This Howard Johnson’s always had pop/rock music playing in the background, an early form of satellite radio. In 1997, I began to notice one song in particular. It had a lovely tinkling electric piano backed by a soft synth wash, and the chorus was a gorgeous earworm of vocal harmonies, which sounded something “It’s been coming up you, coming up you again.”

I could not get this song (which I thought might be by Alan Parsons Project) out of my head. This was in the early days of the internet, so it took me some time to figure out its title and artist.

And I was not at all surprised by what I learned. The song, “Coming Up You,” was written and recorded by one of my 10 favorite musical artists:

The Cars.

**********

Early on the evening of September 15, 2019, I was scrolling through my Twitter feed (please follow me @drnoir33), when I read a tweet that stopped me cold. It announced the death of Cars lead singer, songwriter and rhythm guitarist Ric Ocasek of natural causes at the age of 75.

I literally yelled out “Oh, NO!” when I read this tweet, and, given the proximity of our two young daughters, had to restrain myself from adding more colorful language.

I had reacted similarly late in 2000, when co-lead-singer and bass player Benjamin Orr died at the age of 53 (the age I will be in just two weeks).

My love for The Cars—arguably the new wave reincarnation of Buddy Holly and the Crickets—began in summer camp in the summer of 1979. Philadelphia rock radio stations like WMMR (93.3 FM) and WYSP (94.1 FM) were seemingly always playing in our bunk. Among the songs they regularly played (at least in my memory) were “Just What I Needed,” “You’re All I’ve Got Tonight,” “My Best Friend’s Girlfriend” and one that really appealed to me, “Good Times Roll.”  It is possible “Let’s Go” (from their excellent second album, Candy-O) was also being played then.

In my suburban musical cocoon, I was slowly becoming aware of this new genre of music: synthesizer-based, angular and uncomplicated. The sound was fresh and clean, highly melodic and hook-driven, and unencumbered by endless instrumental passages.

It was love at first listen, especially this band I soon learned was called The Cars. Years later, I would learn how heavily influenced they were by another top 10 musical artist of mine, Roxy Music. But that is a conversation for another day.

Perhaps a year later, my father (routinely short of money in those days) and I were in a Sam Goody record store in the suburban Philadelphia town of Ardmore; it may well have been for my 14th birthday. He had promised to buy something for me, so I walked up to the checkout counter with three albums: The Cars and Panorama by The Cars (debut and third albums, respectively) and Breakfast in America by Supertramp. Their combined cost was about $25, roughly the equivalent of $75 today.

He gulped a few times, but shelled out the money. After all, this was a man who would say to me whenever I ordered food in a restaurant, “Order whatever you want, pal, just so long as you eat it.”

I did the analogous thing with those three records: I played the heck out of them for years.

Thank you, Dad. That meant the world to me.

While Panorama (released in the fall of 1980) is the only Cars album I still have on vinyl, I gravitated more toward the exceptional debut album; it is still one of the handful of albums I enjoy playing straight through, first note to last.

Panorama

What especially grabbed me was a short instrumental bridge (highly evocative of The Pretenders’ “Private Life”) between the last two tracks on side two, “Moving in Stereo” (memorably featured in the best high school movie ever made) and “All Mixed Up.” As the slow, synth-driven crunch of “Moving” ends, David Robinson plays a soft rhythm on the cymbals. A few seconds later, Elliot Easton overlays a simple shimmering guitar lick backed by a gentle synth arpeggiation from Greg Hawkes. The passage lasts only about 15 second before Orr begins to sing, “She shadows me in the mirror/she never leaves on the light/And some things that I say to her/they just don’t seem to bite.”

I was so mesmerized I played those 15 seconds over and over again—and, in August 1981, when I created my first mix cassette (cleverly titled “My Stuff”), side one ended with those two tracks. Side two opened with two tracks from Panorama: the ethereal “Touch and Go” and the propulsive “Running to You.” The video for “Touch and Go” received a fair amount play on a Sunday night, half-hour television program that aired (on HBO?) at 11 pm. Because everything connects, note that Ric, Ben, Elliot, Greg and David are riding a Tilt-A-Whirl.

The photograph on the rear of Panorama, all black-and-white and shadows, is still how I think of The Cars (and presaged my later love for film noir).

Panorama rear.JPG

Those four tracks were the first of 23 (of 3,305) I would record onto a mix over the next 25 years. Indeed, for my second mix (Stuff Vol. I, December 1981), I recorded “Cruiser,” from their fourth album (Shake It Up), off of the radio (WMMR, most likely). This meant that five of the first 36 tracks to appear on a mix were by The Cars; no other artist had more than two.

However, I would not put another Cars song on a mix cassette until June 1985 (Summer 85, Vol. III), when I recorded the haunting “Drive,” from Heartbeat City, their fifth (and most commercially successful) album, off the radio. The final “scene” of the arty video for the song (third of four singles to reach the Billboard Top 10) reinforces the notion The Cars evoke the 1950s. The eight Summer 85 mixes also include “Dangerous Type” and “Let’s Go” from Candy-O, both recorded off the radio. Two years later, having finally bought a used vinyl copy of Candy-O, I put “Shoo-Be-Doo” and the title track onto a mix; I would then record a live video for “Good Times Roll” onto a VHS cassette in 1989 and “It’s All I Can Do” (from Candy-O) onto the April 1990 Stuff and Such, Vol. XVI mix, meaning 12 of the first 998 (1.2%)  tracks to make it onto a mix were from The Cars.

But that would be it until October 1995, when Panorama opened Stuff and Such, Vol. XVIII.

**********

Heartbeat City was released in March 1984. In the interim, Ocasek released his first solo album, Beatitude, at the very end of 1982. I would purchase a used vinyl copy of the album in the summer of 2006; you can still see the $1.00 price tag from Harvard Square’s In Your Ear records (which, sadly, closed for good this past January).

Beatitude.JPG

Six years later, I was working at the Brookings Institution in Washington, DC. A colleague and friend (who, sadly, I have not seen in more than 30 years) was a young woman with similar musical tastes to me. One night, we were out with some other colleagues, when Ocasek’s solo album came up. We both remembered the name of my favorite track from that album (which I recorded from the radio for the April 1983 “I-92 Mix”), the hypnotic ode to alienated youth “Jimmy Jimmy” (I think the video is absolutely gorgeous). But we could not remember the name of the primary single from the album, with its heavy-rotation-on-MTV video showing the tall, dark and handsome (if overly thin) Ocasek and an elegant young blonde woman preparing for a date (maybe?).

Later that night, having consulted a reference work, I called my colleague and told her the song was called “Something to Grab For.” With friendly-but-pointed questioning, she got me to admit I had not actually remembered the song’s title on my own.

She forgave me.

**********

Shake It Up and Heartbeat City, which I would not purchase until the spring of 2010, yielded The Cars’ first two Billboard Top 10 songs: “Shake It Up” and “You Might Think.” The latter song in particular, whose innovative video was an award-winner, is one of a dozen or so songs that recall the spring of 1984, when I completed my last semester of high school (having already been accepted to Yale). Those were heady and happy days, especially because I was working the most fun job I ever had.

The following summer, they performed two songs at the Live Aid festival in Philadelphia: “Just What I Needed” and “Heartbeat City.”

Two years later, they would release their sixth (and final until 2011) studio album, Door to Door. For some reason (the press of my senior year at Yale?), the album made no impression on me at the time, though I vaguely recall the Billboard top-20 single “You Are the Girl.”

And that brings us to the Howard Johnson’s in Medford, and “Coming Up You” (the third single released from Door; it peaked at #74). Once I figured out the name of the track, I bought a used cassette of the album (later replaced with a CD) and promptly made “Coming Up You” the first track on the September 1997 Stuff and Such Vol. LIII mix; it would ultimately appear on seven different mixes, edging out “All Mixed Up” (five); Cars tunes occupy 54 (0.9%) of 6,188 total “slots,” a high percentage given 1,000+ unique artists occupy those slots. Within a year, “Coming Up You” had supplanted “Save Me” by Public Image, Ltd. as my favorite track[1]. That lasted until the early 2000s, when “Blue in Green” by Miles Davis supplanted it for good.

Two other tracks from Door to Door, “Wound Up on You” and “Fine Line,” would be recorded onto 1998-99 mixes. Around this time, AC became enamored of the Ben Orr 1986 solo single, “Stay the Night,” which I would purchase on iTunes about 15 years later and put onto the May 2013 CD Stuff Vol. CIX mix.

An additional six Cars tracks would be recorded onto mixes, beginning with “Bye Bye Love” from The Cars in March 2000 (Stuff and Such Vol. LXXI). This track would be memorialized in our household as a long-running joke, once our daughters became old enough to appreciate it.

Whenever one of us would observe a sunset, or any other sky with unusual coloring, I would inevitably recite these lyrics (with Nell or one of the girls sighing in exasperation):

“It’s an orangy sky/

Always there’s some other guy/

It’s just a broken lullaby/

Bye bye love”

Last night, when I told our eldest daughter (our youngest was already asleep) why I was so sad, I used that song to explain who Ric Ocasek was.

Oh right, she said, and returned to her book.

Which was just fine.

Rest in peace, Mr. Orr and Mr. Ocasek. Your place in the rock firmament is secure.

Until next time…

[1] Technically, it was a mash-up of “Save Me” and the unlisted reprise that closes the Happy? album.