My 2025 Personal Film Festival, Part 3 and Conclusion

For Parts 1 and 2 of this series, please see here and here. Just to reiterate, I am not a film critic in the traditional sense, merely an autodidactic lover of film and film history who curated his own, somewhat random, film festival over the first four months of 2025. It began when my wife … Continue reading My 2025 Personal Film Festival, Part 3 and Conclusion →

My 2025 Personal Film Festival, Part 2

For Part 1 of this series, please see here. I reiterate that I am not a film critic in the traditional sense, just an autodidactic lover of film and film history. By the time I finished rewatching Zodiac (David Fincher, 2007), No Country For Old Men (Joel & Ethan Coen, 2007) and Nosferatu: A Symphony … Continue reading My 2025 Personal Film Festival, Part 2 →

Measuring the Unmeasurable: Ranking One’s Favorite Music, Part 6 (My 100 Favorite Albums)

In five previous essays (here, here, here, here, here), I detail how I used appearances on 434 mixes (August 1981 to November 2023) and total plays to calculate a score for 9,560 tracks. Using these Track Scores (“TS”), I ranked my favorites from a tie for #7,529 (2,032 tracks with one play and no mix … Continue reading Measuring the Unmeasurable: Ranking One’s Favorite Music, Part 6 (My 100 Favorite Albums) →

My 100 Favorite Films…Probably

[Ed. note: This essay was updated on April 1, 2025] On December 1, 2022, Sight and Sound Magazine released the results of its decennial Greatest Films of All Time Critics’ Poll (“SS Poll”). The key result is that Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles dethroned Vertigo as the “greatest film of all time.”[1] … Continue reading My 100 Favorite Films…Probably →

I Never Wrote the Most Important Story I Ever Wrote, Part 2

Part 1 of this essay may be found here. I cannot remember exactly when I first saw Hammett. By which I mean, when I first watched the second half of the 1982 film, a fictional account set in 1928 San Francisco, just before the eponymous writer published his first novel. One night, while I was … Continue reading I Never Wrote the Most Important Story I Ever Wrote, Part 2 →

Crafting the “Soundtrack” to my Interrogating Memory book

In 2005, Rupert Holmes published his second novel, a murder mystery called Swing. Being, well, Rupert Holmes, he also wrote and recorded an accompanying seven-track CD of swing-inflected music; both are well worth finding. The combination, meanwhile, led him to quip, “I’ve been singing songs from my new book.” In the past month, I received … Continue reading Crafting the “Soundtrack” to my Interrogating Memory book →

Grappling With the Instinctive – and Unnecessary – Fictionalization of History

I recently watched Michael Mann’s Public Enemies for the first time since its 2009 theatrical release. Based on Bryan Burrough’s excellent 2004 book of the same name, it narrows the focus of the sprawling book to the cat-and-mouse game played by bank robber John Dillinger and Melvin Purvis, special agent in charge of the Chicago … Continue reading Grappling With the Instinctive – and Unnecessary – Fictionalization of History →