This site benefits/suffers/both from consisting of posts about a wide range of topics, all linked under the amorphous heading “data-driven storytelling.”
In an attempt to impose some coherent structure, I am organizing related posts both chronologically and thematically.
Having written extensively about film noir and Charlie Chan films and detective fiction—and my maternal grandfather who rose to the rank of Detective on the Philadelphia Police Department in the late 1940s (at the very height of the classic film noir era), it was inevitable that I would eventually turn to true crime–despite it being far less amenable to “data-driven storytelling.”
Actually, that last part is not strictly true…if counting the number of true crime books in my bookcase while counting 100 random facts about me counts as “data-driven storytelling”:
#63. While I still love reading history, my tastes have changed, as reflected by my ownership of 21 books dealing with Jack the Ripper; I think that qualifies me as a Ripperologist….
#64. Overall, I have 70 books I would broadly describe as “true crime.”
#65. That total is dwarfed by my detective fiction collection (and associated biographies, critical studies and histories): 522 (+/-10). Note that some volumes contain multiple novels.
I address Jack the Ripper in a very specific way here.
And I am still waiting for Larry Harnisch to write his book.
Beyond these two classic unsolved murders, I am particularly fascinated by the Chicago and New York City crime sagas of the 1920s—culminating in the exposure of Murder Inc. using the epic testimony of Abe “Kid Twist” Reles (the “canary who could sing but could not fly”). These account for 10 of the 45 remaining true crime books on my shelves.
When I was in Chicago in June 2013 for a conference, I took this photograph at what, on February 14, 1929 was 2122 N. Clark Street, site of the S-M-C Cartage Company:
Speaking of the 1930s, I also have three volumes (counting this excellent compendium again) related to the “public enemies” (faux Robin Hoods?) of 1933-34: John Dillinger/Baby Face Nelson, Bonnie and Clyde, Pretty Boy Floyd, the Barker-Karpis gang, and so forth.
Well, and here are some tangentially-related volumes.
Setting aside my fascination with Jack the Ripper and the Black Dahlia (and many of the Charlie Chan films), it is a good first pass at a broad generalization to say that I prefer my crimes from the 1920s and 1930s, but I prefer my crime movies from the 1940s and 1950s.
Until next time…